<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-7066957950302287863</id><updated>2012-01-27T19:23:34.415-05:00</updated><title type='text'>Chapter &amp; Verse Reading Series</title><subtitle type='html'>Chapter &amp;amp; Verse is a poetry and fiction reading series in Philadelphia. All readings take place at 8pm at Chapterhouse Cafe, 620 S. 9th St (between South &amp;amp; Bainbridge).
Direct all inquiries to ryaneckes@gmail.com or stanmir@gmail.com</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://chapterhousereadings.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>52</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-3918305717025383539</id><published>2012-01-21T14:47:00.003-05:00</published><updated>2012-01-21T14:55:27.057-05:00</updated><title type='text'>Jan 28: Dolph, Dowling, Hawkey</title><content type='html'>&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;Christian Hawkey&lt;/span&gt; has written two full-length poetry collections (&lt;span style="font-style: italic;"&gt;The Book of Funnels&lt;/span&gt;, Wave Books, 2005 and &lt;span style="font-style: italic;"&gt;Citizen Of&lt;/span&gt;, Wave Books, 2007), four chapbooks,  and the cross-genre book &lt;a href="http://www.uglyducklingpresse.org/catalog/browse/item/?pubID=142"&gt;&lt;span style="font-style: italic;"&gt;Ventrakl&lt;/span&gt;&lt;/a&gt; (2010, Ugly Duckling Presse). He translates contemporary German poetry, and with the German poet Uljana Wolf he translates the Austrian writer Ilse Aichinger. His own work has been translated into over a dozen languages. He lives in Brooklyn and Berlin.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Sarah Dowling&lt;/span&gt;'s first book, &lt;a href="http://snarebooks.wordpress.com/books/sarah-dowling/"&gt;&lt;span style="font-style: italic;"&gt;Security Posture&lt;/span&gt;&lt;/a&gt;, was published in 2009. Her work has appeared in journals such as &lt;span style="font-style: italic;"&gt;Action, Yes!, EOAGH&lt;/span&gt;, and &lt;span style="font-style: italic;"&gt;West Coast Line&lt;/span&gt;, and is forthcoming in &lt;span style="font-style: italic;"&gt;I'll Drown My Book: Conceptual Writing by Women&lt;/span&gt;. Sarah is international editor at &lt;span style="font-style: italic;"&gt;Jacket2&lt;/span&gt;, and she is also  a Ph.D. candidate in the English Department at Penn.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Steve Dolph&lt;/span&gt;'s translation of &lt;a href="http://catalog.openletterbooks.org/authors/24"&gt;&lt;span style="font-style: italic;"&gt;Scars&lt;/span&gt;&lt;/a&gt; by the Argentine novelist Juan José Saer was published in 2011 by Open Letter. He lives in Philadelphia.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-3918305717025383539?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/3918305717025383539'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/3918305717025383539'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2012/01/jan-28-dolph-dowling-hawkey.html' title='Jan 28: Dolph, Dowling, Hawkey'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-7820597389984600727</id><published>2011-12-02T20:56:00.003-05:00</published><updated>2011-12-02T21:20:18.356-05:00</updated><title type='text'>Dec 10: Davis, DeBoer, Teare</title><content type='html'>&lt;span style="font-weight: bold;font-size:130%;" &gt;Brian Teare&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is the author of &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;The Room Where I Was Born&lt;/span&gt;&lt;span style="font-size:130%;"&gt;, &lt;a href="http://www.ucpress.edu/book.php?isbn=9780520258761"&gt;&lt;span style="font-style: italic;"&gt;Sight Map&lt;/span&gt;&lt;/a&gt;, the Lambda-award winning &lt;a href="http://www.spdbooks.org/Producte/9781934103166/pleasure.aspx"&gt;&lt;span style="font-style: italic;"&gt;Pleasure&lt;/span&gt;&lt;/a&gt;, and &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Companion Grasses&lt;/span&gt;&lt;span style="font-size:130%;"&gt;, forthcoming from Omnidawn in 2013. An Assistant Professor at Temple University, he lives in Philadelphia, where he makes books by hand for his micropress, Albion Books.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;JenMarie Davis&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is half of &lt;a href="http://www.fact-simile.com/index.htm"&gt;Fact-Simile Editions&lt;/a&gt; and builds books and poems from recycled and reclaimed material. She is the author of &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Sometime Soon Ago&lt;/span&gt;&lt;span style="font-size:130%;"&gt; (Shadow Mountain, 2009) and her work has appeared in the Handmade/Homemade exhibit, &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;&lt;a href="http://glitterponymag.com/issue-10/page-5/"&gt;Glitterpony&lt;/a&gt;, Court Green, &lt;a href="http://littleredleaves.com/LRL4/JenMarie_Davis.html"&gt;Little Red Leaves&lt;/a&gt;, Interim, Gargoyle &lt;/span&gt;&lt;span style="font-size:130%;"&gt;and other print and online journals.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Nicholas DeBoer&lt;/span&gt;&lt;span style="font-size:130%;"&gt; was born at 1024pm.  29.1 F/5.8mph East Wind/Clear Sky/Chicago, IL.  Michael Reece hospital, designed by Walter Gropius.  He likes to think about it.  He attended schools, they were nice schools and some of his friends were met there.  He has some intense obsessions since he found Edgar Poe &amp;amp; Al Crowley on the back of the Beatles seventh album when he was 11.  He believes in the 23 Engima.  Especially on his b-day 10/23/1981. Some of his poetry can be read in &lt;span style="font-style: italic;"&gt;Fact-Simile, Bombay Gin, Eccolinguistics, &lt;a href="http://apparentmag.com/wp-content/uploads/2011/04/DeBoer-Lunar-Natatorium-2.pdf"&gt;Apparent Mag&lt;/a&gt;&lt;/span&gt; and other magazines.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-7820597389984600727?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/7820597389984600727'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/7820597389984600727'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2011/12/dec-10-davis-deboer-teare.html' title='Dec 10: Davis, DeBoer, Teare'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-7511514106668359359</id><published>2011-11-07T20:41:00.005-05:00</published><updated>2011-11-07T20:48:58.009-05:00</updated><title type='text'>Nov 19: Davisson, Marinovich, Sadicario</title><content type='html'>&lt;div id="yui_3_2_0_16_132071600896263"&gt;&lt;span id="yui_3_2_0_16_132071600896262"  style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;Filip Marinovich&lt;/span&gt; is coeditor with Stephen Boyer of the OCCUPY  WALL STREET POETRY ANTHOLOGY and a librarian at THE PEOPLE'S LIBRARY AT  OCCUPY WALL STREET and a performer at LIBERTY SQUARE POETRY ASSEMBLY.  Filip is author of ZERO READERSHIP and AND IF YOU DON'T GO CRAZY I'LL  MEET YOU HERE TOMORROW, both from Ugly Duckling Presse. Filip's new book  WOLFMAN LIBRARIAN is currently looking for a publisher. Excerpt from it  appears in &lt;a href="http://eoagh.com/?page_id=45"&gt;EOAGH 7&lt;/a&gt;&lt;wbr&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Ian Davisson&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is a poet who currently explores the aesthetics and linguistic properties of the panic attack. To do this, he has to have a lot of panic attacks, which is convenient, because he happens to have a lot of panic attacks. He also examines the masculine subject position in lyric poetry, which sounds impressive until you factor in all the crying. Older work can be found in journals in print and on the internet, while newer work is still churning around in his head. Hopefully you enjoy the churn.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Jaclyn (Jackee) Sadicario&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is a poet who is from New York, living in  Philadelphia. She is a graduate of Temple University, where she was the  creative editor of &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Hyphen&lt;/span&gt;&lt;span style="font-size:130%;"&gt;, the undergraduate literary and art magazine.  She now works at the University of Pennsylvania doing psychotherapy  research in community mental health settings. She has been most recently  published in &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Apiary&lt;/span&gt;&lt;span style="font-size:130%;"&gt; (online and print). (She can be seen on 13th street  every morning running for the el. Occasionally, she smells slightly of  gin.)&lt;br /&gt;&lt;/span&gt;&lt;/div&gt; &lt;div id="yui_3_2_0_16_132071600896268"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-7511514106668359359?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/7511514106668359359'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/7511514106668359359'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2011/11/nov-19-davisson-marinovich-sadicario.html' title='Nov 19: Davisson, Marinovich, Sadicario'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-2754888035333227071</id><published>2011-10-13T16:33:00.005-04:00</published><updated>2011-10-13T16:52:39.908-04:00</updated><title type='text'>Oct 22: Gardner, Kaschock, McCreary</title><content type='html'>&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;Susana Gardner&lt;/span&gt; is the author of &lt;a style="font-style: italic;" href="http://www.spdbooks.org/Producte/9780982573143/herso.aspx" target="_blank"&gt;HERSO&lt;/a&gt; (Black Radish Books, 2011) and &lt;span style="font-style: italic;"&gt;[ LAPSED INSEL WEARY ]&lt;/span&gt; (The Tangent Press, 2008), as well as several chapbooks, including&lt;span style="font-style:italic"&gt;&lt;/span&gt;&lt;em&gt;&lt;/em&gt;&lt;em&gt; Hyper-Phantasie Constructs&lt;/em&gt; (Dusie Kollektiv, 2010) and &lt;em&gt;Herso&lt;/em&gt; (University of Theory and Memorabilia Press, 2009). Her poetry has appeared in &lt;em&gt;Jacket&lt;/em&gt;, &lt;em&gt;How2&lt;/em&gt;, &lt;em&gt;Puerto Del Sol&lt;/em&gt;, and &lt;em&gt;Cambridge Literary Review&lt;/em&gt; among others, and has been featured in several anthologies, including &lt;em&gt;131.839 slög með bilum&lt;/em&gt; (&lt;em&gt;131,839 keystrokes with spaces&lt;/em&gt;)  (Ntamo, Finland, 2007) and NOT FOR MOTHERS ONLY: CONTEMPORARY POEMS ON  CHILD-GETTING AND CHILD-REARING (Fence Books, USA, 2007). She  lives in Zürich, Switzerland, where she also edits and curates the  online poetics journal and experimental kollektiv press, &lt;a href="http://www.dusie.org/" target="_blank"&gt;Dusie&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Kirsten Kaschock&lt;/span&gt; is the author of two books of poetry, &lt;a href="http://ahsahtapress.boisestate.edu/books/kaschock/kaschock.htm"&gt;&lt;span style="font-style: italic;"&gt;A Beautiful Name for a Girl&lt;/span&gt; &lt;/a&gt;and &lt;a href="http://www.spdbooks.org/Producte/0971821933/unfathoms.aspx"&gt;&lt;span style="font-style: italic;"&gt;Unfathoms&lt;/span&gt;&lt;/a&gt;. Her first novel, &lt;a href="http://www.coffeehousepress.org/2011/06/sleight/"&gt;&lt;span style="font-style: italic;"&gt;Sleight&lt;/span&gt;&lt;/a&gt;, was published recently by Coffee House Press. She has earned a PhD in English from the University of Georgia and is currently a doctoral fellow in dance at Temple University.  Kirsten lives with her three sons and their father in Philadelphia, where she likes to make poems, dances, and sometimes--other people.&lt;br /&gt;&lt;br /&gt;&lt;span id="yui_3_2_0_16_131853757401752"&gt;&lt;span style="font-weight: bold;"&gt;Jenn McCreary&lt;/span&gt; is the author &lt;wbr&gt;of &lt;i&gt;&lt;a href="http://www.spdbooks.org/Producte/9780981980805/ab-ovo.aspx" target="_blank"&gt;:ab ovo:&lt;/a&gt;&lt;/i&gt;, published by &lt;a href="http://www.dusie.org/" target="_blank"&gt;Dusie Press&lt;/a&gt;, and of several chapbooks, including &lt;i&gt;Odyssey &amp;amp; Oracle,&lt;/i&gt; which is forthcoming this winter from Least Weasel.&lt;span&gt;  &lt;/span&gt;She lives in Philadelphia where she co-edits &lt;a href="http://www.ixnaypress.com/" target="_blank"&gt;ixnay press&lt;/a&gt; with the writer Chris McCreary, works for the &lt;a href="http://www.muralarts.org/" target="_blank"&gt;Mural Arts Program&lt;/a&gt;, wrangles twins, &amp;amp; charms snakes.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-2754888035333227071?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/2754888035333227071'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/2754888035333227071'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2011/10/oct-22-gardner-kaschock-mccreary.html' title='Oct 22: Gardner, Kaschock, McCreary'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-7839042162693903644</id><published>2011-09-13T12:08:00.005-04:00</published><updated>2011-09-13T12:22:40.382-04:00</updated><title type='text'>Sept 24: Abendroth, Bouchard, Hadbawnik</title><content type='html'>&lt;span style="font-weight: bold;font-size:130%;" &gt;Emily Abendroth&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is a writer and artist who lives both here and elsewhere as the situation requires. She is the author of &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;toward eadward forward&lt;/span&gt;&lt;span style="font-size:130%;"&gt; (horse less press), &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;muzzle blast dander&lt;/span&gt;&lt;span style="font-size:130%;"&gt; (in refuge/refugee, chain links vol 3), and &lt;a href="http://lectical.net/property_undone/"&gt;&lt;span style="font-style: italic;"&gt;Property : None / Property : Undone&lt;/span&gt;&lt;/a&gt; (a broadside project with TapRoot Editions). Together with fellow poet Justin Audia she co-curates the Moles Not Molar Reading &amp;amp; Performance Series.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Daniel Bouchard&lt;/span&gt;&lt;span style="font-size:130%;"&gt;’s poetry books include &lt;a href="http://www.spdbooks.org/Producte/8487467458/the-filaments.aspx"&gt;&lt;span style="font-style: italic;"&gt;The Filaments&lt;/span&gt;&lt;/a&gt; (Zasterle, 2006), &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Some Mountains Removed&lt;/span&gt;&lt;span style="font-size:130%;"&gt;, and &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Diminutive Revolutions&lt;/span&gt;&lt;span style="font-size:130%;"&gt; (Subpress 2004, 2000). He grew up south of Philadelphia and attended the Temple Writing Program. An essay on Rachel Blau DuPlessis’s &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Drafts&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is forthcoming in &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Jacket2&lt;/span&gt;&lt;span style="font-size:130%;"&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;David Hadbawnik&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is a poet and performer currently living with his wife in Buffalo, NY. In 2011, he edited Jack Spicer’s Beowulf for the CUNY Lost and Found Document series (with Sean Reynolds), and published &lt;a href="http://www.blazevox.org/index.php/Shop/Poetry/field-work-notes-songs-poems-1997-2010-by-david-hadbawnik-228/"&gt;&lt;span style="font-style: italic;"&gt;Field Work&lt;/span&gt;&lt;/a&gt; (BlazeVOX Books). Other publications include the books &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Translations From Creeley&lt;/span&gt;&lt;span style="font-size:130%;"&gt; (Sardines, 2008), &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Ovid in Exile&lt;/span&gt;&lt;span style="font-size:130%;"&gt; (Interbirth, 2007), and &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;SF Spleen&lt;/span&gt;&lt;span style="font-size:130%;"&gt; (Skanky Possum, 2006). He is the editor and publisher of Habenicht Press and the journal &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;kadar koli&lt;/span&gt;&lt;span style="font-size:130%;"&gt;. He began studying towards his PhD in poetics at SUNY Buffalo in fall 2008, where he directs the Buffalo Poets Theater.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-7839042162693903644?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/7839042162693903644'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/7839042162693903644'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2011/09/sept-24-abendroth-bouchard-hadbawnik.html' title='Sept 24: Abendroth, Bouchard, Hadbawnik'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-9146601793479047316</id><published>2011-05-16T10:50:00.005-04:00</published><updated>2011-05-16T10:59:40.649-04:00</updated><title type='text'>May 21: Lee, Sherlock, Smith</title><content type='html'>&lt;span style="font-weight: bold;font-size:130%;" &gt;Rod Smith&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is the author of &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Deed, Music or Honesty, Protective Immediacy&lt;/span&gt;&lt;span style="font-size:130%;"&gt;, and &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;In Memory of My Theories&lt;/span&gt;&lt;span style="font-size:130%;"&gt;. A CD, &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Fear the Sky&lt;/span&gt;&lt;span style="font-size:130%;"&gt;, came out from Narrow House Recordings in 2005. Smith lives in Washington, DC where he edits &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Aerial&lt;/span&gt;&lt;span style="font-size:130%;"&gt;, publishes Edge Books, and manages Bridge Street Books. With Peter Baker and Kaplan Harris, he is editing &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;The Selected Letters of Robert Creeley&lt;/span&gt;&lt;span style="font-size:130%;"&gt; for the University of California Press.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Frank Sherlock&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is the author of &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Over Here&lt;/span&gt;&lt;span style="font-size:130%;"&gt; (Factory School), &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Feast Day Gone &amp;amp; Coming &lt;/span&gt;&lt;span style="font-size:130%;"&gt;(Cy Gist), &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;The City Real &amp;amp; Imagined&lt;/span&gt;&lt;span style="font-size:130%;"&gt; (Factory School), a collaboration with CA Conrad, and &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Ready-to-Eat Individual&lt;/span&gt;&lt;span style="font-size:130%;"&gt; (Lavender Ink), a collaboration with Brett Evans. Sherlock contributed to &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Journeys South&lt;/span&gt;&lt;span style="font-size:130%;"&gt;, a public installation project in South Philadelphia, writing seven poems for broadsides called &lt;a href="http://muralarts.org/event/journeys-south-poetic-broadsides-%E2%80%9Cneighbor-ballads%E2%80%9D"&gt;&lt;span style="font-style: italic;"&gt;Neighbor Ballads&lt;/span&gt;&lt;/a&gt;, which celebrate figures from immigrant communities that continue to shape one of Philadelphia's most diverse and storied neighborhoods. The broadsides, which include artwork by Erik Ruin, can be found in honor boxes along 9th Street and East Passyunk Avenue.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Sueyeun Juliette Lee&lt;/span&gt;&lt;span style="font-size:130%;"&gt; lives in Philadelphia, where she edits Corollary Press, a chapbook series devoted to multi-ethnic experimental writing. Her books include &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;That Gorgeous Feeling&lt;/span&gt;&lt;span style="font-size:130%;"&gt; (Coconut Books) and &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Underground National&lt;/span&gt;&lt;span style="font-size:130%;"&gt; (Factory School). She is also a contributing editor to &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;EOAGH&lt;/span&gt;&lt;span style="font-size:130%;"&gt; and &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;The Constant Critic&lt;/span&gt;&lt;span style="font-size:130%;"&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-9146601793479047316?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/9146601793479047316'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/9146601793479047316'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2011/05/may-21-lee-sherlock-smith.html' title='May 21: Lee, Sherlock, Smith'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-6272923264143311964</id><published>2011-04-13T19:16:00.009-04:00</published><updated>2011-04-23T11:23:47.758-04:00</updated><title type='text'>April 23: hassen, Kalfopoulou, Rackin</title><content type='html'>&lt;span style="font-weight: bold;font-size:130%;" &gt;Adrianne Kalfopoulou&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is the author of two collections of poetry, &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Wild Greens&lt;/span&gt; (2002) and &lt;a href="http://www.redhen.org/RedHenPress.html#/catalog/catalogView/type=books;bookUUID=A87585FD-4AED-BCA2-504E-620EEB0F9617"&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Passion Maps&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:130%;"&gt; (2009), both from Red Hen Press. She has written a memoir, &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Broken Greek&lt;/span&gt;&lt;span style="font-size:130%;"&gt;, and essays in various journals, including &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Hotel Amerika&lt;/span&gt;&lt;span style="font-size:130%;"&gt; and &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;World&lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt; Literature Today&lt;/span&gt;&lt;span style="font-size:130%;"&gt;. Currently she is at work on a monograph on Sylvia Plath's poetry and Ralph Waldo Emerson's philosophy. She teaches at Hellenic American University in Athens, and is on the adjunct faculty in the Creative Writing Program at NYU.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Ethel Rackin&lt;/span&gt;&lt;span style="font-size:130%;"&gt;’s poems have appeared in &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Colorado Review, Volt, Court Green, Poetry East, The American Poetry Review&lt;/span&gt;&lt;span style="font-size:130%;"&gt;, and elsewhere. Most recently, poems from her manuscript, &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Red as a Tree&lt;/span&gt;&lt;span style="font-size:130%;"&gt;, appeared on the &lt;a href="http://www.kelseyst.com/news/2010/09/18/new-poems-by-ethel-rackin/"&gt;Kelsey Street Press blog&lt;/a&gt;, and were set to music and performed by the Norman David Eleventet.  She earned her MFA from Bard College and her Phd in English Literature from Princeton University. She is currently Assistant Professor of Language &amp;amp; Literature at Bucks County Community College in Pennsylvania.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;hassen&lt;/span&gt;&lt;span style="font-size:130%;"&gt; writes and performs experimental poetry and creates multimedia and mixed media work, including photography, audio, video, encaustics, and ephemeral art gestures. Chapbooks include &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Salem&lt;/span&gt;&lt;span style="font-size:130%;"&gt; (Belladona*), &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Crabapples&lt;/span&gt;&lt;span style="font-size:130%;"&gt; (Furniture Press), &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Sky Journal from Land, Sky Journal from Sea&lt;/span&gt;&lt;span style="font-size:130%;"&gt;. Her poems have appeared in &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Sous Rature, Tool a Magazine, EOAGH, Frequency Audio Journal, Skanky Possum, Big Bridge, Dusie, 100 Days Anthology&lt;/span&gt;&lt;span style="font-size:130%;"&gt; and elsewhere. More about her creative work can be found &lt;a href="http://hhssn.wordpress.com/"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-6272923264143311964?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/6272923264143311964'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/6272923264143311964'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2011/04/apr-23-hassen-kalfopoulou-rackin.html' title='April 23: hassen, Kalfopoulou, Rackin'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-5084297867938006406</id><published>2011-03-14T20:11:00.004-04:00</published><updated>2011-03-15T12:08:17.978-04:00</updated><title type='text'>March 26: Durand, Jagannathan, Yearous-Algozin</title><content type='html'>&lt;span style="font-weight: bold;font-size:130%;" &gt;Marcella Durand&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is the author of some books of poetry, most recently &lt;a href="http://littleredleaves.com/ebooks/DeepEcoPre.pdf"&gt;&lt;span style="font-style: italic;"&gt;Deep Eco Pré&lt;/span&gt;&lt;/a&gt;, a collaboration with Tina Darragh; &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;AREA&lt;/span&gt;&lt;span style="font-size:130%;"&gt; (Belladonna Books, 2008); and &lt;a href="http://www.futurepoem.com/bookpages/trafficandweather.html"&gt;&lt;span style="font-style: italic;"&gt;Traffic &amp;amp; Weather&lt;/span&gt;&lt;/a&gt; (Futurepoem Books, 2008).  She is teaching a class on ecology and poetry this spring at the Center for Programs in Contemporary Writing at the University of Pennsylvania as the 2010-2011 Fellow in Poetics and Poetic Practice. She lives in New York City with her husband, painter Rich O’Russa, and son Ismael Toussaint Durand O’Russa.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Mytili Jagannathan&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is a poet who listens to the notion that “every letter is an alphabet,” making poems that investigate public and private space, power, gender, property, desire, collectivity, and the conditions of speech. She is the author of &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Acts&lt;/span&gt;&lt;span style="font-size:130%;"&gt; (Habenicht Press); and her poems have appeared in &lt;a href="http://www.necessetics.com/mytili.html"&gt;&lt;span style="font-style: italic;"&gt;Sous Rature&lt;/span&gt;&lt;/a&gt;, &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;&lt;a href="http://chax.org/eoagh/issue3/issuethree/jagannathan.html"&gt;EOAGH&lt;/a&gt;, Rattapallax, Mirage#4/Period[ical], Combo, &lt;a href="http://www.thefanzine.com/articles/poetry/254/phillysound_poets/11"&gt;Fanzine&lt;/a&gt;, Interlope, Xcp: Cross-Cultural Poetics&lt;/span&gt;&lt;span style="font-size:130%;"&gt;, and  &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Indivisible: An Anthology of Contemporary South Asian American Poetry&lt;/span&gt;&lt;span style="font-size:130%;"&gt;. Her poetry was also part of a recent collaboration, &lt;span style="font-style: italic;"&gt;Up Against&lt;/span&gt;, with filmmaker Sara Zia Ebrahimi and electronic musician Gralin Hughes for the "Shelter" episode of the Termite TV Collective. She lives in Philadelphia.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Joseph Yearous-Algozin&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is the author of the chapbooks &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Kensington Notebook&lt;/span&gt; (Lean-To) and &lt;span style="font-size:130%;"&gt;&lt;a href="http://www.lulu.com/items/volume_68/9477000/9477534/1/print/9477534.pdf"&gt;&lt;span style="font-style: italic;"&gt;The Lazarus Project: Alien Vs. Predator&lt;/span&gt;&lt;/a&gt; (TROLL THREAD).  Along with Holly Melgard, he is the in-coming co-editor of &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;P-Queue&lt;/span&gt;&lt;span style="font-size:130%;"&gt; magazine.  Currently he lives in Buffalo, NY, where he is a PhD student in English at SUNY-Buffalo.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-5084297867938006406?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/5084297867938006406'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/5084297867938006406'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2011/03/march-26-durand-jagannathan-yearous.html' title='March 26: Durand, Jagannathan, Yearous-Algozin'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-2390391861190889556</id><published>2011-02-11T16:29:00.002-05:00</published><updated>2011-02-11T16:38:32.446-05:00</updated><title type='text'>Feb 26: Carpenter, Corbett, DeGezelle</title><content type='html'>&lt;span style="font-weight: bold;font-size:130%;" &gt;William Corbett&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is a poet and memoirist who lives in Boston's South End and teaches writing at MIT. He edited &lt;i&gt;Just the Thing: Selected Letters of James Schuyler&lt;/i&gt;, directs the small press Pressed Wafer, and is on the advisory board of Manhattan's CUE Art Foundation. In 2008 Hanging Loose published his book of poems &lt;i&gt;Opening Day&lt;/i&gt;. His most recent books include an essay on the painter Albert York and &lt;a href="http://www.spdbooks.org/Producte/9781934909133/the-whalen-poem.aspx"&gt;&lt;i&gt;The Whalen Poem&lt;/i&gt;&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Brian Carpenter&lt;/span&gt;&lt;span style="font-size:130%;"&gt; has been living in Philadelphia since 2005, after moving from his native habitat of Seattle and spending two years in the Poetics program at the University of Maine. He has self-published two books of poems (&lt;i&gt;Aspect Cycle, &lt;/i&gt;&lt;i&gt;Bluest Keys&lt;/i&gt;) and one box (&lt;i&gt;Small Seasons&lt;/i&gt;). An earlier prose poem, &lt;i&gt;The Green Island Problem&lt;/i&gt;, is available through Vancouver's &lt;a href="http://www.kswnet.org/fire/wmag-displaypage.cfm?wmagreturn=3"&gt;Kootenay School of Writing&lt;/a&gt; collective. He currently works as an audio archivist of Native American language recordings.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(136, 136, 136);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;Melissa DeGezelle&lt;/span&gt; lives in South Philly with her three-year old daughter Hazel. Some newish poems can be found at&lt;/span&gt; &lt;a href="http://sawbuckpoems.blogspot.com/2010/09/melissa-degezelle.html" target="_blank"&gt;Sawbuck&lt;/a&gt; &lt;span style="color: rgb(0, 0, 0);"&gt;and&lt;/span&gt; &lt;a href="http://www.literarymama.com/profile.php?author=melissa-degezelle" target="_blank"&gt;Literary Mama&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-2390391861190889556?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/2390391861190889556'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/2390391861190889556'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2011/02/feb-26-carpenter-corbett-degezelle.html' title='Feb 26: Carpenter, Corbett, DeGezelle'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-1362425860053321937</id><published>2011-01-22T13:19:00.003-05:00</published><updated>2011-01-22T13:27:22.093-05:00</updated><title type='text'>Jan 29: Keene &amp; Morkun</title><content type='html'>&lt;span style="font-weight: bold;font-size:130%;" &gt;John Keene&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is the author of &lt;a href="http://www.powells.com/biblio?isbn=9780811213042"&gt;&lt;span style="font-style: italic;"&gt;Annotations&lt;/span&gt;&lt;/a&gt; (New Directions) and, with artist Christopher Stackhouse, of the poetry-text dialogue &lt;a href="http://www.journal1913.org/seismosis.html"&gt;&lt;span style="font-style: italic;"&gt;Seismosis&lt;/span&gt;&lt;/a&gt; (1913 Press). He has published his fiction, poetry, essays, translations, and interviews with other authors widely. He teaches at Northwestern University.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Debrah Morkun&lt;/span&gt;&lt;span style="font-size:130%;"&gt;'s first full length book of poetry, &lt;a href="http://www.blazevox.org/index.php/Shop/Poetry/projection-machine-by-debrah-morkun-111/"&gt;&lt;span style="font-style: italic;"&gt;Projection Machine&lt;/span&gt;&lt;/a&gt;, was published by BlazeVox Books in April 2010.  She lives in Philadelphia, where she runs The Jubilant Thicket Literary Series.  She believes in the Muse and does rituals to her before she sits to write. Visit Debrah at &lt;a href="http://www.debrahmorkun.com/"&gt;http://www.debrahmorkun.com&lt;/a&gt; .&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-1362425860053321937?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/1362425860053321937'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/1362425860053321937'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2011/01/jan-29-keene-morkun.html' title='Jan 29: Keene &amp; Morkun'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-842864397650783224</id><published>2010-12-05T20:14:00.003-05:00</published><updated>2010-12-05T20:21:04.273-05:00</updated><title type='text'>Dec 11: Sullivan &amp; Perkins-Valdez</title><content type='html'>&lt;span style="font-weight: bold;font-size:130%;" &gt;Mecca Jamilah Sullivan&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is from Harlem, New York. Her fiction has appeared in &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Callaloo, Best New Writing, Crab Orchard Review, The Minnesota Review, Bloom, X-24: Unclassified, Baobab: South African Journal of New Writing, 2010 Robert Olen Butler Fiction Prize Stories&lt;/span&gt;&lt;span style="font-size:130%;"&gt;, and other publications. She is the winner of the Charles Johnson Fiction Award, the William Gunn Fiction Award, the James Baldwin Memorial Playwriting Award, and the second place winner of the American Short Fiction Short Story Contest. She is currently a Ph.D. candidate and Dean’s Scholar in English Literature at the University of Pennsylvania, and is completing her first novel.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Dolen Perkins-Valdez&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is the author of the novel &lt;a href="http://www.indiebound.org/book/9780061706547"&gt;&lt;span style="font-style: italic;"&gt;Wench&lt;/span&gt;&lt;/a&gt;. Her fiction and essays have appeared in &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;StoryQuarterly, Robert Olen Butler Prize Stories 2009, The Kenyon Review, PMS: PoemMemoirStory, North Carolina Literary Review&lt;/span&gt;&lt;span style="font-size:130%;"&gt;, and &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Richard Wright Newsletter&lt;/span&gt;&lt;span style="font-size:130%;"&gt;.   Born and raised in Memphis, a graduate of Harvard, and a former University of California postdoctoral fellow, Perkins-Valdez lives in Washington, DC.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-842864397650783224?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/842864397650783224'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/842864397650783224'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2010/12/dec-11-sullivan-perkins-valdez.html' title='Dec 11: Sullivan &amp; Perkins-Valdez'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-6919361647505821221</id><published>2010-11-15T18:47:00.003-05:00</published><updated>2010-11-15T18:56:56.402-05:00</updated><title type='text'>Nov 20: Lyalin, Russell, Taransky</title><content type='html'>&lt;span style="font-weight: bold;font-size:130%;" &gt;Natalie Lyalin&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is the author of &lt;a href="http://www.coconutpoetry.org/phph1.html"&gt;&lt;span style="font-style: italic;"&gt;Pink and Hot Pink Habitat&lt;/span&gt;&lt;/a&gt; (Coconut Books 2009) and the chapbook &lt;a href="http://www.uglyducklingpresse.org/catalog/browse/item/?pubID=132"&gt;&lt;span style="font-style: italic;"&gt;Try A Little Time Travel&lt;/span&gt;&lt;/a&gt; (Ugly Duckling Presse 2010). She is the co-founder and co-editor of &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;GlitterPony Magazine&lt;/span&gt;&lt;span style="font-size:130%;"&gt; and Agnes Fox Press. She lives in Philadelphia and teaches at Temple University and The University of the Arts.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Jacob Russell&lt;/span&gt;&lt;span style="font-size:130%;"&gt; was recently honored by a request from a dead tree on Passyunk Avenue to accept the position of curator &amp;amp; caretaker of what had hitherto been the tree’s Secret Life as a Mystical Magical PoemTree. Jacob has it from reliable sources that there are countless other PoemTrees in Philly &amp;amp; across our tiny blue marble in the void, waiting with the admirable patience for which trees are famous--for a passing poet, attentive to the Waking Life beyond the Corporate Hologram, to accept them in joyous partnership. Jacob &amp;amp; PoemTree have recently become engaged, &amp;amp; look forward to the day when, with perhaps a circle of poets in attendance for a reading, they may exchange vows of spiritual union in public ceremony. Jacob states his poetic credo as follows: First you do stuff. Then you write about it. If the stuff you DO is a poem, you are a poet. Links to his fiction and poetry can be found on his blog, &lt;a href="http://jacobrussellsbarkingdog.blogspot.com/"&gt;Jacob Russell's Barking Dog&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Michelle Taransky&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is the author of&lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt; &lt;a href="http://www.omnidawn.com/taransky/index.htm"&gt;BARN BURNED, THEN&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt; selected by Marjorie Welish for the 2008 Omnidawn Poetry Prize.  Taransky lives in Philadelphia, works at Kelly Writers House, is reviews editor for &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Jacket2&lt;/span&gt;&lt;span style="font-size:130%;"&gt;, and teaches writing at University of Pennsylvania and Temple University.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-6919361647505821221?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/6919361647505821221'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/6919361647505821221'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2010/11/nov-20-lyalin-russell-taransky.html' title='Nov 20: Lyalin, Russell, Taransky'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-8265204905331454330</id><published>2010-11-05T16:24:00.003-04:00</published><updated>2010-11-05T16:33:02.087-04:00</updated><title type='text'>Nov 13: McCreary, Nguyen, Skinner</title><content type='html'>&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;Hoa Nguyen&lt;/span&gt; was born in the Mekong Delta, grew up in the DC area and studied poetics in San Francisco. She is the author of 8 books and chapbooks, most recently &lt;a href="http://www.hotwhiskeypress.com/hecate.html"&gt;&lt;span style="font-style: italic;"&gt;Hecate Lochia&lt;/span&gt;&lt;/a&gt; (Hot Whiskey, 2009), &lt;span style="font-style: italic;"&gt;Kiss a Bomb Tattoo&lt;/span&gt; (Effing Press, 2009) and &lt;span style="font-style: italic;"&gt;Chinaberry&lt;/span&gt; (Fact Simile, 2010). Based in Austin, TX, Hoa curates a reading series and leads a creative writing workshop.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Jonathan Skinner&lt;/span&gt; 's poetry collections include &lt;span style="font-style: italic;"&gt;With Naked Foot&lt;/span&gt; (Little Scratch Pad Press, 2009) and &lt;span style="font-style: italic;"&gt;Political Cactus Poems&lt;/span&gt; (Palm Press, 2005). He founded and edits the journal &lt;a style="font-style: italic;" href="http://www.ecopoetics.org/"&gt;ecopoetics&lt;/a&gt;, which features creative-critical intersections between writing and ecology. Skinner also writes ecocriticism on contemporary poetry and poetics: his essay "&lt;a href="http://www.nonsitecollective.org/system/files/SkinnerThoughtsOnThingsExcerpt.pdf"&gt;Thoughts on Things: Poetics of the Third Landscape&lt;/a&gt;" appeared recently in the &lt;span style="font-style: italic;"&gt;eco language reader&lt;/span&gt; (ed. Brenda Iijima). Skinner teaches in the Environmental Studies Program at Bates College, in Central Maine, where he makes his home.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Chris McCreary&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is the author of &lt;a href="http://www.spdbooks.org/Producte/9780982629918/undone-a-fakebook.aspx" target="_blank"&gt;&lt;em&gt;Undone : A Fakebook&lt;/em&gt;&lt;/a&gt; as well as a chapbook of revisions of older poems, &lt;em&gt;An Apocrypha&lt;/em&gt;, which can be downloaded for free via ixnay press's &lt;a href="http://www.ixnaypress.com/ixnay_books___chapbooks.html" target="_blank"&gt;website&lt;/a&gt;. In a recent review of &lt;em&gt;Poets on Teaching&lt;/em&gt; at &lt;a href="http://360mainstreet.com/article/670/poets-on-teaching" target="_blank"&gt;360mainstreet.com&lt;/a&gt;, he discusses his work as a high school English and creative writing teacher. He lives in Philadelphia.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-8265204905331454330?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/8265204905331454330'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/8265204905331454330'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2010/11/nov-13-mccreary-nguyen-skinner.html' title='Nov 13: McCreary, Nguyen, Skinner'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-1846381783682440628</id><published>2010-10-14T12:53:00.005-04:00</published><updated>2010-10-18T19:43:20.652-04:00</updated><title type='text'>Oct 23: Cory, Glaser, Neuman</title><content type='html'>&lt;span style="font-weight: bold;font-size:130%;" &gt;Rachel B. Glaser&lt;/span&gt;&lt;span style="font-size:130%;"&gt; was born in New Jersey.  Her stories have been published in &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;New York Tyrant, American Short Fiction, Unsaid&lt;/span&gt;&lt;span style="font-size:130%;"&gt;, and elsewhere.  Her first story collection &lt;a href="http://www.publishinggenius.com/2002/10/acquired-pee-on-water-by-rachel-glaser.html"&gt;&lt;span style="font-style: italic;"&gt;Pee On Water&lt;/span&gt;&lt;/a&gt; has recently been published by Publishing Genius Press.  Colin Bassett says of &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Pee On Water&lt;/span&gt;&lt;span style="font-size:130%;"&gt;, "the stories all seem simple and enjoyable but then somewhere inside of them there's something else happening that feels outrageous and sort of painfully new."  Glaser lived in Philly, in the Italian Market area, from 2006-2007, before moving to Western Mass, where she's lived ever since.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Jim Cory&lt;/span&gt;&lt;span style="font-size:130%;"&gt; was born in 1953 in Oklahoma, grew up in a NYC suburb and &lt;/span&gt;&lt;span style="font-size:130%;"&gt;in the Midwest &lt;/span&gt;&lt;span style="font-size:130%;"&gt;for a few years. His father sold carpet and made a science of non-communication. He had seven brothers and sisters, most of them difficult. He learned about modernist poetry and how to read it when a house painter came down off his ladder one afternoon and explicated a Wallace Stevens poem in the anthology he was reading, circa age 14. He studied European history at Penn State and began writing poetry in his late teens.  Recently he stopped watching television. Some of his poems can be read in &lt;a href="http://electiveaffinitiesusa.blogspot.com/2010/07/jim-cory.html"&gt;Elective Affinities&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Laura Neuman&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is a poet and performing artist originally from the San Francisco bay area.  Since moving to Philadelphia in 2005, she has studied clown technique, taught preschool drama, learned and then forgotten how to tie the bow-line, and collaborated with several dance and dance-theatre companies, including the Workshop For Potential Movement. You can hear her read some poems at &lt;a href="http://writing.upenn.edu/pennsound/x/Emergency.php"&gt;PennSound&lt;/a&gt;. She has an M.F.A. in Writing from Bard College, and is currently studying poetry at Temple University.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-1846381783682440628?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/1846381783682440628'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/1846381783682440628'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2010/10/oct-23-cory-glaser-neuman.html' title='Oct 23: Cory, Glaser, Neuman'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-2019095188844674861</id><published>2010-09-30T12:08:00.007-04:00</published><updated>2010-09-30T12:40:02.569-04:00</updated><title type='text'>Oct 9: Bell, Neigh, Taggart</title><content type='html'>&lt;span style="font-size:130%;"&gt;&lt;span style="font-family:TimesNewRomanPSMT;"&gt;&lt;span style="font-weight: bold;"&gt;Paige  Taggart&lt;/span&gt; lives in Brooklyn and her chapbook &lt;span style="font-style: italic;"&gt;Polaroid Parade&lt;/span&gt; is  forthcoming  with Greying Ghost Press&lt;/span&gt;&lt;span style="font-family:TimesNewRomanPSMT;"&gt;. An e-chapbook, &lt;span style="font-style: italic;"&gt;Won't Be A Girl &lt;/span&gt;is available from Scantily  Clad Press. Recent or forthcoming work  can be found at&lt;span style="font-style: italic;"&gt; &lt;a rel="nofollow" href="http://soandso.org/#/paige-taggart/4543398103" target="_blank"&gt;So and So Magazine&lt;/a&gt;,  &lt;/span&gt;&lt;i&gt;&lt;a rel="nofollow" href="http://www.notellmotel.org/poem_single.php?id=1983_0_1_0" target="_blank"&gt;No Tell  Motel&lt;/a&gt;,&lt;a rel="nofollow" href="http://glitterponymag.com/poetry/Paige-Taggart/from-For-People-Who-Sometimes-Read" target="_blank"&gt; Glitterpony&lt;/a&gt;,&lt;/i&gt;&lt;/span&gt;&lt;span style="font-family:TimesNewRomanPSMT;"&gt; &lt;a rel="nofollow" href="http://sinkreview.org/sr-4/from-to-people-who-sometimes-read/" target="_blank"&gt;&lt;i&gt;Sink Review&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family:TimesNewRomanPSMT;"&gt;, &lt;/span&gt;&lt;span style="font-family:TimesNewRomanPSMT;"&gt; &lt;i&gt;&lt;a rel="nofollow" href="http://www.realpoetik.org/2010/03/taggart.html" target="_blank"&gt;RealPoetik&lt;/a&gt;, &lt;a rel="nofollow" href="http://www.umbrellafactorymagazine.com/author-taggart.html" target="_blank"&gt;Umbrella  Factory&lt;/a&gt;, Bateau&lt;/i&gt;&lt;/span&gt;&lt;span style="font-family:TimesNewRomanPSMT;"&gt;&lt;i&gt;, &lt;/i&gt;and&lt;i&gt; Sentence.&lt;/i&gt;&lt;/span&gt;&lt;span style="font-family:TimesNewRomanPSMT;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-family:TimesNewRomanPSMT;"&gt;She was a  2009 recipient of the &lt;span&gt;&lt;span&gt;&lt;span&gt;New York  Foundation&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;  of the Arts grant. And she has a&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-family:TimesNewRomanPSMT;"&gt; &lt;a href="http://mactaggartjewelry.blogspot.com/"&gt;jewelry blog&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Janet Neigh&lt;/span&gt;&lt;span style="font-size:130%;"&gt; lives in Philadelphia. Her writing has appeared in various publications, including the journals &lt;i&gt;P-Queue&lt;/i&gt;, &lt;a href="http://www.asu.edu/pipercwcenter/how2journal/archive/online_archive/v2_2_2004/current/stein/neigh.htm"&gt;&lt;i&gt;HOW2&lt;/i&gt;&lt;/a&gt;, and &lt;i&gt;West Coast Line&lt;/i&gt; as well as the anthology &lt;i&gt;Shift and Switch: New Canadian Poetry&lt;/i&gt;. She recently completed her Ph.D. at Temple University. These days she spends a lot of time in her car driving to North Jersey where she teaches at Montclair State University.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Marion Bell &lt;/span&gt;&lt;span style="font-size:130%;"&gt;lives in Fishtown and works in a coffee shop. Some of her poems can be read in &lt;a href="http://electiveaffinitiesusa.blogspot.com/2009/12/marion-bell.html"&gt;&lt;span style="font-style: italic;"&gt;Elective Affinities&lt;/span&gt;&lt;/a&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-2019095188844674861?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/2019095188844674861'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/2019095188844674861'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2010/09/oct-2-bell-neigh-taggart.html' title='Oct 9: Bell, Neigh, Taggart'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-7271951013747545804</id><published>2010-08-31T10:23:00.005-04:00</published><updated>2010-09-02T18:27:08.392-04:00</updated><title type='text'>Sept 11: Mirov, Nghiem, Spagnoli</title><content type='html'>&lt;span style="font-weight: bold;font-size:130%;" &gt;Ben Mirov&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is the author of &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;I is to Vorticism&lt;/span&gt;&lt;span style="font-size:130%;"&gt; (New Michigan Press, 2010) and &lt;/span&gt;&lt;a href="http://www.caketrain.org/ghostmachine/"&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Ghost Machine&lt;/span&gt;&lt;/a&gt; &lt;span style="font-size:130%;"&gt;(Caketrain, 2010). He has recent work in or forthcoming from&lt;/span&gt; &lt;span style="font-style: italic;font-size:130%;" &gt;Absent Magazine&lt;/span&gt;&lt;span style="font-size:130%;"&gt; and &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Sixth Finch&lt;/span&gt;&lt;span style="font-size:130%;"&gt;, &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;LUNGFULL!&lt;/span&gt;&lt;span style="font-size:130%;"&gt;, &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;The Agriculture Reader&lt;/span&gt;&lt;span style="font-size:130%;"&gt;, and &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;We Are Champion&lt;/span&gt;&lt;span style="font-size:130%;"&gt;. His critical writings can be found in &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;The Brooklyn Rail, Coldfront, BOMB&lt;/span&gt;&lt;span style="font-size:130%;"&gt;, and &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;The Sink Review&lt;/span&gt;&lt;span style="font-size:130%;"&gt;. He lives in Brooklyn.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Laura Spagnoli&lt;/span&gt;&lt;span style="font-size:130%;"&gt;’s poems can be found in a handful of on-line and print publications, and her short story about people doing bad things in the Rittenhouse Square neighborhood will appear this November in a collection called &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Philadelphia Noir&lt;/span&gt;&lt;span style="font-size:130%;"&gt;.  She lives south of South Street and makes her living teaching French.  She loves artificial lighting and sometimes feels elated walking through the tunnels that connect subway, trolley, and rail lines beneath Center City.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Quyen Nghiem&lt;/span&gt;&lt;span style="font-size:130%;"&gt; will be wearing dark brown suede boots, checkered pants, a t-shirt, and a black cardigan. He will be nervous and maybe slightly drunk.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-7271951013747545804?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/7271951013747545804'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/7271951013747545804'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2010/08/sept-11-mirov-nghiem-spagnoli.html' title='Sept 11: Mirov, Nghiem, Spagnoli'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-3741246075023807470</id><published>2010-07-20T15:05:00.008-04:00</published><updated>2010-07-22T10:36:58.589-04:00</updated><title type='text'>July 31: Livingston, Behm-Steinberg, Short</title><content type='html'>&lt;span style="font-weight: bold;font-size:130%;" &gt;Reb Livingston&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is the author of &lt;a style="font-style: italic;" href="http://www.goddamsel.com/"&gt;GOD DAMSEL&lt;/a&gt;&lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;, &lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;a style="font-style: italic;" href="http://www.yourtenfavoritewords.com/"&gt;YOUR TEN FAVORITE WORDS&lt;/a&gt; and co-editor of &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;THE BEDSIDE GUIDE TO NO TELL MOTEL&lt;/span&gt;&lt;span style="font-size:130%;"&gt; anthology series. She's also the editor of &lt;a style="font-style: italic;" href="http://www.notellmotel.org/index.php"&gt;No Tell Motel&lt;/a&gt;&lt;a href="http://www.notellmotel.org/index.php"&gt; &lt;/a&gt;and publisher of &lt;a href="http://www.notellbooks.org/"&gt;No Tell Books&lt;/a&gt;. She blogs at &lt;a href="http://www.reblivingston.blogspot.com/"&gt;www.reblivingston.blogspot.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Hugh Behm-Steinberg&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is the author of &lt;a href="http://www.notellbooks.org/individual_title.php?id=37_0_1_0_C"&gt;&lt;span style="font-style: italic;"&gt;Shy Green Fields&lt;/span&gt;&lt;/a&gt; (No Tell Books) and &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Sorcery&lt;/span&gt;&lt;span style="font-size:130%;"&gt; (Dusie Chapbook Kollektiv).  His poems have appeared in such places as &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Crowd, VeRT, Volt, Spork, Cue, Slope, Aught, Fence, dirt, ditch, Swerve&lt;/span&gt;&lt;span style="font-size:130%;"&gt; and &lt;a href="http://www.zeek.net/702poetry/"&gt;&lt;span style="font-style: italic;"&gt;Zeek&lt;/span&gt;&lt;/a&gt;, as well as some more multi-syllabic places such as &lt;a href="http://www.foame.org/Issue7/poems/behmSteinberg.html"&gt;&lt;span style="font-style: italic;"&gt;foam: e&lt;/span&gt;&lt;/a&gt; and &lt;a href="http://www.thenepotist.org/archives.cfm/search/?term=Hugh+Behm-Steinberg"&gt;&lt;span style="font-style: italic;"&gt;The Nepotist&lt;/span&gt;&lt;/a&gt;.  He teaches at California College of the Arts, where he edits the journal &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Eleven Eleven&lt;/span&gt;&lt;span style="font-size:130%;"&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Kim Gek Lin Short&lt;/span&gt; is the author of &lt;a style="font-style: italic;" href="http://www.tarpaulinsky.com/Press/Short/index.html"&gt;The Bugging Watch &amp;amp; Other Exhibits&lt;/a&gt; (Tarpaulin Sky Press) and the chapbook, &lt;a style="font-style: italic;" href="http://ropeadopebooks.blogspot.com/2010/04/run-by-kim-gek-lin-short.html"&gt;Run&lt;/a&gt;&lt;span style="font-style: italic;"&gt; &lt;/span&gt;(Rope-a-Dope). Her work appears in literary journals and blogs, as well as in the anthologies &lt;a style="font-style: italic;" href="http://www.goodreads.com/book/show/7894139-narrative-dis-continuities"&gt;narrative (dis)continuities: prose experiments by younger american writers&lt;/a&gt; (Recycled Karma Press) and &lt;a style="font-style: italic;" href="http://electiveaffinitiesusa.blogspot.com/2010/04/kim-gek-lin-short.html"&gt;Elective Affinities&lt;/a&gt;&lt;span style="font-style: italic;"&gt;: a cooperative e-anthology of U.S. poetry&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-3741246075023807470?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/3741246075023807470'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/3741246075023807470'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2010/07/july-31-livingston-behm-steinberg-short.html' title='July 31: Livingston, Behm-Steinberg, Short'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-1243291126805909217</id><published>2010-05-20T10:07:00.003-04:00</published><updated>2010-05-20T10:18:15.931-04:00</updated><title type='text'>May 29: Costanzo, Thoumsin, Fletcher</title><content type='html'>&lt;div  style="font-family:arial;"&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Wade Fletcher&lt;/span&gt;&lt;span style="font-size:130%;"&gt;’s recent publications include &lt;a href="http://www.pied-terre.com/www.pied-terre.com/exhibitions/wade-fletcher/"&gt;&lt;i&gt;Conditions Which&lt;/i&gt;&lt;/a&gt; (Pied-a-terre, 2010) and poems in Barrelhouse, Versal, and The Portable Boog Reader. &lt;/span&gt;&lt;span style="font-size:130%;"&gt;A chapbook, &lt;span style="font-style: italic;"&gt;Snitch Culture&lt;/span&gt;, was published with dusie press in 2008. He&lt;/span&gt;&lt;span style="font-size:130%;"&gt; teaches poetry and writing at George Washington and George Mason Universities, co-curates the monthly Cheryl’s Gone Reading Series in Washington, DC and lives in Northern Virginia with his wife and son.&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;  &lt;div  style="font-family:arial;"&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;  &lt;div&gt;&lt;span style="font-family:arial;font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;Chelsea Thoumsin&lt;/span&gt; arrived in Philadelphia nearly two years ago to attend the Pennsylvania Academy of Fine Arts’ Post Baccalaureate program. There she found that entwining poetry and drawing floats her boat. In less than a couple years, she has managed to live and navigate in South, West, and Central Philly. One day she plans to create a complex Venn diagram about these places. Until then, she lives in Center City with her goldfish Archimedes. Her favorite things include creating and cleaning up aesthetic messes.&lt;/span&gt;&lt;span style=";font-family:Cambria;font-size:130%;"  &gt; Some of her work can be seen on &lt;a href="http://cthoumsin.wordpress.com/"&gt;her website&lt;/a&gt;.&lt;br /&gt;&lt;/span&gt;&lt;span style=";font-family:Cambria;font-size:130%;"  &gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Francesca Costanzo&lt;/span&gt; &lt;/span&gt;&lt;span style=";font-family:Cambria;font-size:130%;"  &gt; began shooting photographs  at age 4 and writing poetry at age 5.  Her favorite poet was Maynard G. Krebs&lt;/span&gt;&lt;span style="font-family:arial;font-size:130%;"&gt;.&lt;/span&gt;&lt;span style=";font-family:Cambria;font-size:130%;"  &gt;  As an adult, she has studied graphic  design + advertising @ The Philadelphia College of ART [now UARTs] and   is an award-winning copywriter and designer.&lt;/span&gt;&lt;span style=";font-family:Cambria;font-size:130%;"  &gt;  She is a member of Suppose  An Eyes Poetry Group and was the Winner of the First Annual 2010 Bukowskiest  Poet Award. She has an upcoming book and performance piece: &lt;/span&gt;&lt;span style="color: rgb(143, 59, 57);font-family:Cambria;font-size:130%;"  &gt;8mm Backwards&lt;/span&gt;&lt;span style=";font-family:Cambria;font-size:130%;"  &gt; and a recently published e-chapbook:  &lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;a href="http://www.scribd.com/doc/29846658/Dia-Six-Sense"&gt;&lt;span style="color: rgb(96, 40, 38);font-family:Cambria;" &gt;Dia: Six Sense&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style=";font-family:Cambria;font-size:130%;"  &gt;&lt;span style="font-family:arial;"&gt;  (Avantacular Press, Limited&lt;/span&gt; Edition)&lt;/span&gt;&lt;span style="font-size:130%;"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-1243291126805909217?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/1243291126805909217'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/1243291126805909217'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2010/05/may-29-costanzo-thoumsin-fletcher.html' title='May 29: Costanzo, Thoumsin, Fletcher'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-926415019038675574</id><published>2010-04-28T14:59:00.006-04:00</published><updated>2010-05-05T13:14:44.456-04:00</updated><title type='text'>May 8: Conner, Maugeri, Ostashevsky</title><content type='html'>&lt;strong&gt;Eugene Ostashevsky&lt;/strong&gt; is a Russian-born American poet from New York City. His poetry books include &lt;em&gt;Iterature&lt;/em&gt; and &lt;a href="http://www.uglyducklingpresse.org/catalog/browse/item/?pubID=23"&gt;&lt;em&gt;The &lt;/em&gt;&lt;em&gt;Life and Opinions of DJ Spinoza&lt;/em&gt;&lt;/a&gt;, which employs characters such as MC Squared, Peepeesaurus, the Begriffon and, of course, DJ Spinoza, to explore the shortcomings of axiomatic systems with the insouciance and energy of Saturday-morning cartoons. He has edited an English-language anthology of Russian absurdist writings of the 1930s by such authors as Alexander Vvedensky and Daniil Kharms. His PhD dissertation was on the history of zero. He teaches at New York University.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Carolina Maugeri&lt;/span&gt;: Transcription, auto-correction, revision, &amp;amp; improvisation, &amp;amp; the personal-to-cultural tensions &amp;amp; histrionics that arise from such activities, make up her main poetic preoccupations. In addition to writing, she likes to make music, surveys, sketches, &amp;amp;&lt;br /&gt;explores sound &amp;amp; textures through vocal phonic utterances, typewriter taps, multi-instrumental manipulations within interrupted songscapes. She lives in &lt;span style="border-bottom: 1px dashed rgb(0, 102, 204); background: transparent none repeat scroll 0% 0%; cursor: pointer; -moz-background-clip: border; -moz-background-origin: padding; -moz-background-inline-policy: continuous;" class="yshortcuts" id="lw_1272481309_1"&gt;Philadelphia&lt;/span&gt;, where she teaches writing &amp;amp; literature to visual artists at the &lt;span style="border-bottom: 1px dashed rgb(0, 102, 204); background: transparent none repeat scroll 0% 0%; cursor: pointer; -moz-background-clip: border; -moz-background-origin: padding; -moz-background-inline-policy: continuous;" class="yshortcuts" id="lw_1272481309_2"&gt;Pennsylvania Academy of the Fine Arts&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:georgia;"&gt;&lt;span style="font-weight: bold;"&gt;Kyle Conner&lt;/span&gt; &lt;/span&gt;&lt;span style=";font-family:Times New Roman;font-size:100%;"  &gt;is a poet who works  and lives in Philadelphia with his keeshond Sam. His chapbooks are: &lt;i&gt; Songs for South St. Bridge &lt;/i&gt;(1996), &lt;i&gt;The Pulverized Thing of Doubt &lt;/i&gt; (2002), &lt;i&gt;Toward Belief &lt;/i&gt;(2005) and &lt;i&gt;breaths for f l e s h &lt;/i&gt; (2008). He has been involved with the Philadelphia literary scene for  over 15 years and has given numerous readings in various venues. He  co-curated the Highwire Reading Series from 1998-2000 and is the nominal  spokesman for the theory of “Oughtism” (because you Ought to know),  which makes the obvious explicit: that art is never more or less than  an extension of the way one chooses to live one’s life.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-926415019038675574?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/926415019038675574'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/926415019038675574'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2010/04/may-8-conner-maugeri-ostashevsky.html' title='May 8: Conner, Maugeri, Ostashevsky'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-2350468723085969070</id><published>2010-04-19T20:47:00.003-04:00</published><updated>2010-04-20T11:33:08.296-04:00</updated><title type='text'>Apr 24: Holmquest &amp; Warsh</title><content type='html'>&lt;span style="font-weight: bold;font-family:arial;font-size:130%;" class="il"  &gt;Lewis&lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;font-size:130%;"  &gt; &lt;/span&gt;&lt;span style="font-weight: bold;font-family:arial;font-size:130%;" class="il"  &gt;Warsh&lt;/span&gt;&lt;span style=";font-family:arial;font-size:130%;"  &gt; is the author of numerous books of poetry, fiction and autobiography, including &lt;span style="font-style: italic;"&gt;&lt;a href="http://www.spuytenduyvil.net/fiction/placesun.html"&gt;A Place in the Sun&lt;/a&gt;, &lt;a href="http://www.bigbridge.org/BB14/REV-WAH.HTM"&gt;Inseparable: Poems 1995-2005&lt;/a&gt;, Touch of the Whip, Avenue of Escape&lt;/span&gt; and&lt;span style="font-style: italic;"&gt; Ted's Favorite Skirt&lt;/span&gt;. He is coeditor of &lt;span style="font-style: italic;"&gt;The Angel Hair Anthology&lt;/span&gt;, editor and publisher of United Artists Books, and director of the MFA program in creative writing at Long Island University in Brooklyn.&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style=";font-family:arial;font-size:130%;"  &gt;&lt;span class="Apple-style-span" style=""&gt;&lt;span style="font-weight: bold;"&gt;Brandon Holmquest&lt;/span&gt; was born  1979, in Indiana. Teenage years up to early twenties &lt;span class="yshortcuts" id="lw_1271724506_0"&gt;Missouri&lt;/span&gt;. Three trips along the length of the Mississippi. Then three years in &lt;span class="yshortcuts" id="lw_1271724506_1"&gt;Chicago&lt;/span&gt;, two in &lt;span class="yshortcuts" id="lw_1271724506_2"&gt;Philadelphia&lt;/span&gt;, two and a half in &lt;span class="yshortcuts" id="lw_1271724506_3"&gt;New York&lt;/span&gt;. Currently in Philadelphia again. His books are &lt;span style="font-style: italic;"&gt;&lt;a href="http://splitleaves.com/2010/03/19/stereo-daguerreotype-released/"&gt;Stereo &lt;span class="yshortcuts" id="lw_1271724506_4"&gt;Daguerreotype&lt;/span&gt;&lt;/a&gt;, &lt;span class="yshortcuts" id="lw_1271724506_5"&gt;The Sorrows&lt;/span&gt; of Young Worthless,&lt;/span&gt; and a translation of Manuel Maples Arce's &lt;a href="http://www.uglyducklingpresse.org/catalog/browse/item/?pubID=97"&gt;&lt;span style="font-style: italic;"&gt;City: &lt;span class="yshortcuts" id="lw_1271724506_6"&gt;Bolshevik&lt;/span&gt; Superpoem in 5 &lt;span class="yshortcuts" id="lw_1271724506_7"&gt;Cantos&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;. &lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-2350468723085969070?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/2350468723085969070'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/2350468723085969070'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2010/04/apr-24-holmquest-warsh.html' title='Apr 24: Holmquest &amp; Warsh'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-5511716795813381983</id><published>2010-04-14T14:11:00.003-04:00</published><updated>2010-04-14T14:17:16.224-04:00</updated><title type='text'>April 17: Audia, Berrigan, Weiser</title><content type='html'>&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;&lt;span style="font-family:times new roman;"&gt;&lt;span style="font-weight: bold;"&gt;Justin Audia&lt;/span&gt; lives in Philadelphia, where he co-curates the Moles Not Molar series and works in adult education from 9 o'clock in the morning until 5 o'clock in the afternoon.  His writing has appeared somewhat recently in places like &lt;/span&gt;&lt;span style="font-style: italic;font-family:times new roman;" &gt;sidebrow&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt; and &lt;/span&gt;&lt;span style="font-style: italic;font-family:times new roman;" &gt;Pocket Myths&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;.  He still hopes to publish his first book before turning 12.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=";font-family:arial;font-size:130%;color:black;"   &gt;&lt;span style="font-weight: bold;"&gt;Anselm Berrigan&lt;/span&gt;'s most recent book of poems is &lt;span style="font-style: italic;"&gt;Free Cell&lt;/span&gt;, published by City Lights last fall. Other books include &lt;span style="font-style: italic;"&gt;Zero Star Hotel&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Some Notes on My Programming&lt;/span&gt;. Recent unpublished poems include Primitive State and Notes from Irrelevance, the titles of which indicate work moving further away from the saleable light. He is the poetry editor for &lt;a href="http://brooklynrail.org/"&gt;&lt;span style="font-style: italic;"&gt;The Brooklyn Rail&lt;/span&gt;&lt;/a&gt;, and a member of the subpress publishing collective, through which he published Selected Poems of Steve Carey last year. &lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-family:times new roman;font-size:130%;"  &gt;&lt;span style="font-weight: bold;"&gt;Karen Weiser&lt;/span&gt; lives in New York City where she is studying for her doctorate in English. Her chapbooks include &lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;em style="color: rgb(0, 0, 0); font-family: times new roman;"&gt;Placefullness&lt;/em&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-family:times new roman;font-size:130%;"  &gt;  and &lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;em style="color: rgb(0, 0, 0); font-family: times new roman;"&gt;Eight Positive Trees&lt;/em&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-family:times new roman;font-size:130%;"  &gt;, she has published in &lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;em style="color: rgb(0, 0, 0); font-family: times new roman;"&gt;6X6, Lungfull! Magazine&lt;/em&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-family:times new roman;font-size:130%;"  &gt;  and &lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;em style="color: rgb(0, 0, 0); font-family: times new roman;"&gt;Cypress Magazine&lt;/em&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;font-size:130%;"&gt;, and her new book, &lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;em style="font-family: times new roman;"&gt;&lt;a href="http://www.uglyducklingpresse.org/catalog/browse/item/?pubID=67"&gt;To Light Out&lt;/a&gt;,&lt;/em&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;font-size:130%;"&gt; was just released by Ugly Duckling Press. &lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-5511716795813381983?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/5511716795813381983'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/5511716795813381983'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2010/04/april-17-audia-berrigan-weiser.html' title='April 17: Audia, Berrigan, Weiser'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-7833024048732131830</id><published>2010-03-21T11:19:00.006-04:00</published><updated>2010-03-21T11:26:57.819-04:00</updated><title type='text'>March 27: Brooks, Gaudry, TeBordo</title><content type='html'>&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;&lt;span style="font-weight: bold;"&gt;Molly Gaudry&lt;/span&gt; is the author of &lt;i&gt;&lt;a href="http://greencitynews.blogspot.com/2010/01/here-is-where-people-say-nice-things.html" target="_blank"&gt;We Take Me Apart&lt;/a&gt;&lt;/i&gt; (Mud Luscious Press, 2009) and the editor of &lt;i&gt;Tell: An Anthology of Expository Narratives&lt;/i&gt; (Flatmancrooked, 2010). She facilitates the series "Look at this fucking writer" at &lt;a href="http://bigother.com/" target="_blank"&gt;Big Other&lt;/a&gt;, and she runs &lt;a href="http://willowsweptpress.blogspot.com/" target="_blank"&gt;WWP&lt;/a&gt;, a fiction chapbook press. Find her online at &lt;a href="http://mollygaudry.blogspot.com/" target="_blank"&gt;mollygaudry.blogspot.com&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="border-bottom: 1px dashed rgb(0, 102, 204); background: transparent none repeat scroll 0% 0%; -moz-background-clip: border; -moz-background-origin: padding; -moz-background-inline-policy: continuous; font-weight: bold; color: rgb(0, 0, 0);font-size:130%;" &gt;Christian&lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(0, 0, 0);font-size:130%;" &gt; TeBordo&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt; has published three novels, most recently &lt;/span&gt;&lt;span style="font-style: italic; color: rgb(0, 0, 0);font-size:130%;" &gt;We Go Liquid&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;. His first collection of short fiction, &lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;a style="color: rgb(255, 102, 0);" href="http://awfulpossibilities.com/"&gt;&lt;span style="font-style: italic;"&gt;The Awful &lt;/span&gt;&lt;span style="background: transparent none repeat scroll 0% 0%; -moz-background-clip: border; -moz-background-origin: padding; -moz-background-inline-policy: continuous; font-style: italic;"&gt;Possibilities&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;, is forthcoming from &lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;a style="color: rgb(255, 102, 0);" href="http://www.featherproof.com/Mambo/index.php?option=com_content&amp;amp;task=view&amp;amp;id=259&amp;amp;Itemid=41"&gt;featherproof books&lt;/a&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;. A recipient of a grant from the Pennsylvania Council on the Arts, he lives in Philadelphia.&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;strong style="font-weight: bold; color: rgb(0, 0, 0);"&gt;&lt;br /&gt;Jason Napoli Brooks&lt;/strong&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;'s fiction has appeared in&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;em style="color: rgb(0, 0, 0);"&gt; &lt;span style="background: transparent none repeat scroll 0% 0%; -moz-background-clip: border; -moz-background-origin: padding; -moz-background-inline-policy: continuous; cursor: pointer;" class="yshortcuts" id="lw_1269107775_0"&gt;&lt;span style="border-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer;" class="yshortcuts" id="lw_1269184704_0"&gt;Ninth Letter&lt;/span&gt;&lt;/span&gt;, H.O.W., Pindeldyboz, &lt;/em&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;and the anthology &lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;em style="color: rgb(0, 0, 0);"&gt;America Street II &lt;/em&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;(&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" class="yshortcuts" id="lw_1269107775_1" &gt;&lt;span style="border-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer;" class="yshortcuts" id="lw_1269184704_1"&gt;HarperCollins&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;), and his non-fiction in &lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;em style="color: rgb(0, 0, 0);"&gt;Tema Celeste, Colors, Index, &lt;/em&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;and &lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;em style="color: rgb(0, 0, 0);"&gt;El Pais&lt;/em&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;. Brooks was the recipient for the &lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" class="yshortcuts" id="lw_1269107775_2" &gt;&lt;span class="yshortcuts" id="lw_1269184704_2"&gt;New School&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt; Chapbook Award for Best Fiction for an excerpt of his forthcoming novel &lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;em style="color: rgb(0, 0, 0);"&gt;Shelter&lt;/em&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;. His debut collection of short  stories &lt;/span&gt;&lt;span style="font-style: italic; color: rgb(0, 0, 0);font-size:130%;" &gt;Las Vidas Menos Vivadas &lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;(Sexto Piso Press, &lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" class="yshortcuts" id="lw_1269184704_3" &gt;Mexico&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;) will be published in 2011. He lives in &lt;/span&gt;&lt;span style="background: transparent none repeat scroll 0% 0%; -moz-background-clip: border; -moz-background-origin: padding; -moz-background-inline-policy: continuous; cursor: pointer; color: rgb(0, 0, 0);font-size:130%;" class="yshortcuts" id="lw_1269107775_3" &gt;&lt;span style="background: transparent none repeat scroll 0% 0%; cursor: pointer; -moz-background-clip: border; -moz-background-origin: padding; -moz-background-inline-policy: continuous;" class="yshortcuts" id="lw_1269184704_4"&gt;New York City&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-7833024048732131830?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/7833024048732131830'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/7833024048732131830'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2010/03/march-27-brooks-gaudry-tebordo.html' title='March 27: Brooks, Gaudry, TeBordo'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-7437332013455183394</id><published>2010-03-03T15:54:00.004-05:00</published><updated>2010-03-22T18:15:03.213-04:00</updated><title type='text'>March 13: Byrne, Pritts, Hart</title><content type='html'>&lt;meta equiv="Content-Type" content="text/html; charset=utf-8"&gt;&lt;meta name="ProgId" content="Word.Document"&gt;&lt;meta name="Generator" content="Microsoft Word 12"&gt;&lt;meta name="Originator" content="Microsoft Word 12"&gt;&lt;link rel="File-List" href="file:///C:%5CDOCUME%7E1%5Ceckes%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml"&gt;&lt;link rel="themeData" href="file:///C:%5CDOCUME%7E1%5Ceckes%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx"&gt;&lt;link rel="colorSchemeMapping" href="file:///C:%5CDOCUME%7E1%5Ceckes%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:trackmoves/&gt;   &lt;w:trackformatting/&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:donotpromoteqf/&gt;   &lt;w:lidthemeother&gt;EN-US&lt;/w:LidThemeOther&gt;   &lt;w:lidthemeasian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:lidthemecomplexscript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;    &lt;w:splitpgbreakandparamark/&gt;    &lt;w:dontvertaligncellwithsp/&gt;    &lt;w:dontbreakconstrainedforcedtables/&gt;    &lt;w:dontvertalignintxbx/&gt;    &lt;w:word11kerningpairs/&gt;    &lt;w:cachedcolbalance/&gt;   &lt;/w:Compatibility&gt;   &lt;w:browserlevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathpr&gt;    &lt;m:mathfont val="Cambria Math"&gt;    &lt;m:brkbin val="before"&gt;    &lt;m:brkbinsub val="&amp;#45;-"&gt;    &lt;m:smallfrac val="off"&gt;    &lt;m:dispdef/&gt;    &lt;m:lmargin val="0"&gt;    &lt;m:rmargin val="0"&gt;    &lt;m:defjc val="centerGroup"&gt;    &lt;m:wrapindent val="1440"&gt;    &lt;m:intlim val="subSup"&gt;    &lt;m:narylim val="undOvr"&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate="false" defunhidewhenused="true" defsemihidden="true" defqformat="false" defpriority="99" latentstylecount="267"&gt;   &lt;w:lsdexception locked="false" priority="0" semihidden="false" unhidewhenused="false" qformat="true" name="Normal"&gt;   &lt;w:lsdexception locked="false" priority="9" semihidden="false" unhidewhenused="false" qformat="true" name="heading 1"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 2"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 3"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 4"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 5"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 6"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 7"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 8"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 9"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 1"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 2"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 3"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 4"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 5"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 6"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 7"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 8"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 9"&gt;   &lt;w:lsdexception locked="false" priority="35" qformat="true" name="caption"&gt;   &lt;w:lsdexception locked="false" priority="10" semihidden="false" unhidewhenused="false" qformat="true" name="Title"&gt;   &lt;w:lsdexception locked="false" priority="0" name="Default Paragraph Font"&gt;   &lt;w:lsdexception locked="false" priority="11" semihidden="false" unhidewhenused="false" qformat="true" name="Subtitle"&gt;   &lt;w:lsdexception locked="false" priority="22" semihidden="false" unhidewhenused="false" qformat="true" name="Strong"&gt;   &lt;w:lsdexception locked="false" priority="20" semihidden="false" unhidewhenused="false" qformat="true" name="Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="59" semihidden="false" unhidewhenused="false" name="Table Grid"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Placeholder Text"&gt;   &lt;w:lsdexception locked="false" priority="1" semihidden="false" unhidewhenused="false" qformat="true" name="No Spacing"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Revision"&gt;   &lt;w:lsdexception locked="false" priority="34" semihidden="false" unhidewhenused="false" qformat="true" name="List Paragraph"&gt;   &lt;w:lsdexception locked="false" priority="29" semihidden="false" unhidewhenused="false" qformat="true" name="Quote"&gt;   &lt;w:lsdexception locked="false" priority="30" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Quote"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"&gt;   &lt;w:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"&gt;   &lt;w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"&gt;   &lt;w:lsdexception locked="false" priority="37" name="Bibliography"&gt;   &lt;w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;style&gt; &lt;!--  /* Font Definitions */  @font-face 	{font-family:Helvetica; 	panose-1:2 11 6 4 2 2 2 2 2 4; 	mso-font-charset:0; 	mso-generic-font-family:swiss; 	mso-font-pitch:variable; 	mso-font-signature:536881799 -2147483648 8 0 511 0;} @font-face 	{font-family:"Cambria Math"; 	panose-1:2 4 5 3 5 4 6 3 2 4; 	mso-font-charset:0; 	mso-generic-font-family:roman; 	mso-font-pitch:variable; 	mso-font-signature:-1610611985 1107304683 0 0 159 0;}  /* Style Definitions */  p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-unhide:no; 	mso-style-qformat:yes; 	mso-style-parent:""; 	margin:0in; 	margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:12.0pt; 	font-family:"Times New Roman","serif"; 	mso-fareast-font-family:"Times New Roman";} .MsoChpDefault 	{mso-style-type:export-only; 	mso-default-props:yes; 	font-size:10.0pt; 	mso-ansi-font-size:10.0pt; 	mso-bidi-font-size:10.0pt;} @page Section1 	{size:8.5in 11.0in; 	margin:1.0in 1.0in 1.0in 1.0in; 	mso-header-margin:.5in; 	mso-footer-margin:.5in; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --&gt; &lt;/style&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable 	{mso-style-name:"Table Normal"; 	mso-tstyle-rowband-size:0; 	mso-tstyle-colband-size:0; 	mso-style-noshow:yes; 	mso-style-priority:99; 	mso-style-qformat:yes; 	mso-style-parent:""; 	mso-padding-alt:0in 5.4pt 0in 5.4pt; 	mso-para-margin:0in; 	mso-para-margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:"Calibri","sans-serif"; 	mso-ascii-font-family:Calibri; 	mso-ascii-theme-font:minor-latin; 	mso-fareast-font-family:"Times New Roman"; 	mso-fareast-theme-font:minor-fareast; 	mso-hansi-font-family:Calibri; 	mso-hansi-theme-font:minor-latin; 	mso-bidi-font-family:"Times New Roman"; 	mso-bidi-theme-font:minor-bidi;} &lt;/style&gt; &lt;![endif]--&gt;  &lt;p class="MsoNormal"&gt;&lt;meta equiv="Content-Type" content="text/html; charset=utf-8"&gt;&lt;meta name="ProgId" content="Word.Document"&gt;&lt;meta name="Generator" content="Microsoft Word 12"&gt;&lt;meta name="Originator" content="Microsoft Word 12"&gt;&lt;link rel="File-List" href="file:///C:%5CDOCUME%7E1%5Ceckes%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml"&gt;&lt;link rel="themeData" href="file:///C:%5CDOCUME%7E1%5Ceckes%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx"&gt;&lt;link rel="colorSchemeMapping" href="file:///C:%5CDOCUME%7E1%5Ceckes%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:trackmoves/&gt;   &lt;w:trackformatting/&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:donotpromoteqf/&gt;   &lt;w:lidthemeother&gt;EN-US&lt;/w:LidThemeOther&gt;   &lt;w:lidthemeasian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:lidthemecomplexscript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;    &lt;w:splitpgbreakandparamark/&gt;    &lt;w:dontvertaligncellwithsp/&gt;    &lt;w:dontbreakconstrainedforcedtables/&gt;    &lt;w:dontvertalignintxbx/&gt;    &lt;w:word11kerningpairs/&gt;    &lt;w:cachedcolbalance/&gt;   &lt;/w:Compatibility&gt;   &lt;w:browserlevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathpr&gt;    &lt;m:mathfont val="Cambria Math"&gt;    &lt;m:brkbin val="before"&gt;    &lt;m:brkbinsub val="&amp;#45;-"&gt;    &lt;m:smallfrac val="off"&gt;    &lt;m:dispdef/&gt;    &lt;m:lmargin val="0"&gt;    &lt;m:rmargin val="0"&gt;    &lt;m:defjc val="centerGroup"&gt;    &lt;m:wrapindent val="1440"&gt;    &lt;m:intlim val="subSup"&gt;    &lt;m:narylim val="undOvr"&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate="false" defunhidewhenused="true" defsemihidden="true" defqformat="false" defpriority="99" latentstylecount="267"&gt;   &lt;w:lsdexception locked="false" priority="0" semihidden="false" unhidewhenused="false" qformat="true" name="Normal"&gt;   &lt;w:lsdexception locked="false" priority="9" semihidden="false" unhidewhenused="false" qformat="true" name="heading 1"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 2"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 3"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 4"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 5"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 6"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 7"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 8"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 9"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 1"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 2"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 3"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 4"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 5"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 6"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 7"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 8"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 9"&gt;   &lt;w:lsdexception locked="false" priority="35" qformat="true" name="caption"&gt;   &lt;w:lsdexception locked="false" priority="10" semihidden="false" unhidewhenused="false" qformat="true" name="Title"&gt;   &lt;w:lsdexception locked="false" priority="0" name="Default Paragraph Font"&gt;   &lt;w:lsdexception locked="false" priority="11" semihidden="false" unhidewhenused="false" qformat="true" name="Subtitle"&gt;   &lt;w:lsdexception locked="false" priority="22" semihidden="false" unhidewhenused="false" qformat="true" name="Strong"&gt;   &lt;w:lsdexception locked="false" priority="20" semihidden="false" unhidewhenused="false" qformat="true" name="Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="59" semihidden="false" unhidewhenused="false" name="Table Grid"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Placeholder Text"&gt;   &lt;w:lsdexception locked="false" priority="1" semihidden="false" unhidewhenused="false" qformat="true" name="No Spacing"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Revision"&gt;   &lt;w:lsdexception locked="false" priority="34" semihidden="false" unhidewhenused="false" qformat="true" name="List Paragraph"&gt;   &lt;w:lsdexception locked="false" priority="29" semihidden="false" unhidewhenused="false" qformat="true" name="Quote"&gt;   &lt;w:lsdexception locked="false" priority="30" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Quote"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"&gt;   &lt;w:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"&gt;   &lt;w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"&gt;   &lt;w:lsdexception locked="false" priority="37" name="Bibliography"&gt;   &lt;w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;style&gt; &lt;!--  /* Font Definitions */  @font-face 	{font-family:"Cambria Math"; 	panose-1:2 4 5 3 5 4 6 3 2 4; 	mso-font-charset:0; 	mso-generic-font-family:roman; 	mso-font-pitch:variable; 	mso-font-signature:-1610611985 1107304683 0 0 159 0;}  /* Style Definitions */  p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-unhide:no; 	mso-style-qformat:yes; 	mso-style-parent:""; 	margin:0in; 	margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:12.0pt; 	font-family:"Times New Roman","serif"; 	mso-fareast-font-family:"Times New Roman";} .MsoChpDefault 	{mso-style-type:export-only; 	mso-default-props:yes; 	font-size:10.0pt; 	mso-ansi-font-size:10.0pt; 	mso-bidi-font-size:10.0pt;} @page Section1 	{size:8.5in 11.0in; 	margin:1.0in 1.0in 1.0in 1.0in; 	mso-header-margin:.5in; 	mso-footer-margin:.5in; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --&gt; &lt;/style&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable 	{mso-style-name:"Table Normal"; 	mso-tstyle-rowband-size:0; 	mso-tstyle-colband-size:0; 	mso-style-noshow:yes; 	mso-style-priority:99; 	mso-style-qformat:yes; 	mso-style-parent:""; 	mso-padding-alt:0in 5.4pt 0in 5.4pt; 	mso-para-margin:0in; 	mso-para-margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:"Calibri","sans-serif"; 	mso-ascii-font-family:Calibri; 	mso-ascii-theme-font:minor-latin; 	mso-fareast-font-family:"Times New Roman"; 	mso-fareast-theme-font:minor-fareast; 	mso-hansi-font-family:Calibri; 	mso-hansi-theme-font:minor-latin; 	mso-bidi-font-family:"Times New Roman"; 	mso-bidi-theme-font:minor-bidi;} &lt;/style&gt; &lt;![endif]--&gt;&lt;span style="font-weight: bold;font-family:&amp;quot;;font-size:100%;"  &gt;Mairéad&lt;/span&gt;&lt;span style=";font-family:&amp;quot;;font-size:100%;"  &gt;&lt;span style="font-weight: bold;"&gt; Byrne&lt;/span&gt; emigrated from Ireland to the United States in 1994, for poetry. Her books include &lt;a href="http://www.whatsleftofheaven.com/"&gt;&lt;span style="font-style: italic;"&gt;The Best of (What’s Left of) Heaven&lt;/span&gt;&lt;/a&gt; (Publishing Genius 2010), &lt;span style="font-style: italic;"&gt;Talk Poetry&lt;/span&gt; (Miami University Press 2007), &lt;span style="font-style: italic;"&gt;SOS Poetry&lt;/span&gt; (/ubu Editions 2007), and &lt;span style="font-style: italic;"&gt;Nelson &amp;amp; The Huruburu Bird&lt;/span&gt; (Wild Honey Press 2003). She lives in Providence and teaches at Rhode Island School of Design. Her blog is called &lt;a href="http://maireadbyrne.blogspot.com/"&gt;Heaven&lt;/a&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style=";font-family:&amp;quot;;font-size:100%;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style=";font-family:&amp;quot;;font-size:100%;"  &gt;&lt;span style="font-weight: bold;"&gt;Nate Pritts&lt;/span&gt; is the author of two poetry collections, &lt;em&gt;&lt;span style=";font-family:&amp;quot;;" &gt;Sensational Spectacular&lt;/span&gt;&lt;/em&gt; (BlazeVox) and &lt;em&gt;&lt;span style=";font-family:&amp;quot;;" &gt;Honorary Astronaut&lt;/span&gt;&lt;/em&gt; (Ghost Road Press), with a third, &lt;em&gt;&lt;span style=";font-family:&amp;quot;;" &gt;The Wonderfull Yeare&lt;/span&gt;&lt;/em&gt; on the way from Cooper-Dillon Press in 2010. He's also the founder and editor-in-chief of the online journal H_NGM_N.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style=";font-family:&amp;quot;;font-size:100%;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=";font-family:&amp;quot;;font-size:100%;color:black;"   &gt;&lt;span style="font-weight: bold;"&gt;Matt Hart&lt;/span&gt; is the author of the poetry collections &lt;em&gt;&lt;span style=";font-family:&amp;quot;;" &gt;Who's Who Vivid&lt;/span&gt;&lt;/em&gt; (Slope Editions) and YOU ARE MIST (MOOR Books, forthcoming), as well as several chapbooks, including &lt;em&gt;&lt;span style=";font-family:&amp;quot;;" &gt;The Hours &lt;/span&gt;&lt;/em&gt;&lt;em&gt;&lt;span style=";font-family:&amp;quot;;" &gt;(Cinematheque Press, forthcoming) and&lt;/span&gt;&lt;/em&gt;&lt;em&gt;&lt;span style=";font-family:&amp;quot;;" &gt; Deafening Leafening&lt;/span&gt;&lt;/em&gt; (Pilot Books), which he wrote in collaboration with Ethan Paquin. Additionally, Hart's poems have appeared in numerous print and online journals, including &lt;em&gt;&lt;span style=";font-family:&amp;quot;;" &gt;Gulf Coast&lt;/span&gt;&lt;/em&gt;, &lt;em&gt;&lt;span style=";font-family:&amp;quot;;" &gt;Harvard Review&lt;/span&gt;&lt;/em&gt;, &lt;em&gt;&lt;span style=";font-family:&amp;quot;;" &gt;jubilat&lt;/span&gt;&lt;/em&gt; and &lt;em&gt;&lt;span style=";font-family:&amp;quot;;" &gt;Ploughshares&lt;/span&gt;&lt;/em&gt;. He is a co-founder and the editor-in-chief of &lt;em&gt;&lt;span style=";font-family:&amp;quot;;" &gt;Forklift, Ohio: A Journal of Poetry, Cooking &amp;amp; Light Industrial Safety&lt;/span&gt;&lt;/em&gt;. He teaches at the Art Academy of Cincinnati.&lt;/span&gt;&lt;span style=";font-family:&amp;quot;;" &gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style=";font-family:&amp;quot;;font-size:11pt;"  &gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-7437332013455183394?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/7437332013455183394'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/7437332013455183394'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2010/03/march-13-byrne-pritts-hart.html' title='March 13: Byrne, Pritts, Hart'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-5948650265118991569</id><published>2010-02-17T15:17:00.005-05:00</published><updated>2010-02-17T16:22:57.914-05:00</updated><title type='text'>Feb 27: Fuhrman, Varrone, Dowling</title><content type='html'>&lt;span style="font-weight: bold;"&gt;Joanna Fuhrman&lt;/span&gt; is the author of three collections published by Hanging Loose Press, most recently &lt;a href="http://www.spdbooks.org/Producte/1931236542/moraine.aspx"&gt;&lt;span style="font-style: italic;"&gt;Moraine&lt;/span&gt;&lt;/a&gt;. Her new book, &lt;a href="http://www.alicejamesbooks.org/BookPages/pageant.html"&gt;&lt;span style="font-style: italic;"&gt;Pageant&lt;/span&gt;&lt;/a&gt;, has just been released by Alice James Books. She teaches creative writing at Rutgers University and in public schools. Her essay on teaching Jayne Cortez’s work to high school students is in the current issue of &lt;span style="font-style: italic;"&gt;Teachers &amp;amp; Writers magazine&lt;/span&gt;. She will be coordinating the Wednesday night readings at the Poetry Project at Saint Mark’s Church for the fall 2010 season and is the poetry editor for &lt;span style="font-style: italic;"&gt;Boog City&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Sarah Dowling&lt;/span&gt;'s first book, &lt;a href="http://snarebooks.wordpress.com/books/sarah-dowling/"&gt;&lt;span style="font-style: italic;"&gt;Security Posture&lt;/span&gt;&lt;/a&gt;, was the winner of the 2009 &lt;span style="background: transparent none repeat scroll 0% 0%; cursor: pointer; -moz-background-clip: border; -moz-background-origin: padding; -moz-background-inline-policy: continuous;" class="yshortcuts" id="lw_1266437762_0"&gt;Robert Kroetsch Award&lt;/span&gt; for Innovative Poetry. Her work has previously appeared in &lt;span style="font-style: italic;"&gt;Action, Yes!, The Capilano Review, Cue, Descant, EOAGH, GLQ, How2, Jacket, &lt;/span&gt;&lt;span style="background: transparent none repeat scroll 0% 0%; cursor: pointer; -moz-background-clip: border; -moz-background-origin: padding; -moz-background-inline-policy: continuous; font-style: italic;" class="yshortcuts" id="lw_1266437762_1"&gt;West Coast Line&lt;/span&gt;, and elsewhere. Sarah is a Ph.D. student at the &lt;span style="border-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer;" class="yshortcuts" id="lw_1266437762_2"&gt;University of Pennsylvania&lt;/span&gt;, and is originally from Regina, SK.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Kevin Varrone&lt;/span&gt;'s most recent collection, &lt;a href="http://www.uglyducklingpresse.org/page-gpoint.html"&gt;&lt;span style="font-style: italic;"&gt;g-point almanac: passyunk lost&lt;/span&gt;&lt;/a&gt;, is just out from Ugly Duckling Presse, as is a companion chapbook, &lt;span style="font-style: italic;"&gt;Philadelphia Improvements&lt;/span&gt;. His previous collection, &lt;a href="http://www.spdbooks.org/Producte/9780967985466/gpoint-almanac-id-est.aspx"&gt;&lt;span style="font-style: italic;"&gt;g-point almanac: id est&lt;/span&gt;&lt;/a&gt;, was published by Instance Press in 2008. Individual poems are available electronically at &lt;a href="http://www.durationpress.com/bookstore/ebooks/varrone/varrone.pdf"&gt;Duration Press&lt;/a&gt;, in &lt;span style="font-style: italic;"&gt;Big Bridge, Cross Connect&lt;/span&gt;, and are forthcoming in [&lt;span style="font-style: italic;"&gt;out of nowhere&lt;/span&gt;]. He lives in South Philly and teaches at Temple University.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-5948650265118991569?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/5948650265118991569'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/5948650265118991569'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2010/02/feb-27-fuhrman-varrone-dowling.html' title='Feb 27: Fuhrman, Varrone, Dowling'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-7716965917763097822</id><published>2010-02-01T18:31:00.001-05:00</published><updated>2010-02-01T18:32:51.358-05:00</updated><title type='text'>Feb 13: Hogan, Ireland, Soto Román</title><content type='html'>&lt;div  style="font-family:times new roman,new york,times,serif;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold; color: rgb(0, 0, 0);font-size:130%;" &gt;Lauren Ireland&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt; grew up in coastal Virginia and southern Maryland. Currently an editor at &lt;/span&gt;&lt;span style="font-style: italic; color: rgb(0, 0, 0);font-size:130%;" &gt;Lungfull! Magazine&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;, she also co-curates the monthly poetry series, The Readings at Chrystie Street, and edits &lt;/span&gt;&lt;span style="font-style: italic; color: rgb(0, 0, 0);font-size:130%;" &gt;Invisible Magazine&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt; with Steve Roberts.  Her poems have appeared in &lt;/span&gt;&lt;span style="font-style: italic; color: rgb(0, 0, 0);font-size:130%;" &gt;Sixth Finch, Conduit, Caketrain&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;, and &lt;/span&gt;&lt;span style="font-style: italic; color: rgb(0, 0, 0);font-size:130%;" &gt;jubilat&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;, among other magazines. She lives in Brooklyn.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(0, 0, 0);font-size:130%;" &gt;Angel Hogan&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt; is a member of Mighty Writers, New Philadelphia Poets, and is a contributor to First Person Arts as well as the Pigeon Arts Collective. She lives and works in West Philadelphia. Visit her website &lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;a style="color: rgb(0, 0, 0);" href="http://www.angelhogan.com/"&gt;here&lt;/a&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;&lt;span style="font-weight: bold;"&gt;Carlos Soto Román&lt;/span&gt; &lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;was born in Valparaíso, Chile. He has published the books &lt;span style="font-style: italic;"&gt;La Marcha de los Quiltros&lt;/span&gt; (The Mongrel's march,1999), &lt;span style="font-style: italic;"&gt;Haiku Minero&lt;/span&gt; (Miner Haiku, 2007) and &lt;span style="font-style: italic;"&gt;Cambio y Fuera&lt;/span&gt; (Over and Out, 2009). His work has been collected in &lt;span style="font-style: italic;"&gt;Bar&lt;/span&gt; (Anthology, 2006) and in &lt;span style="font-style: italic;"&gt;Pozo&lt;/span&gt; (collective book, 2007). In 2004 he received the Creation Fellowship of the Book &amp;amp; Reading Council of the Chilean Government. He has resided in Philadelphia since March 2009 and is a member of The New Philadelphia Poets and the editor of the new cooperative anthology of U.S. poetry, &lt;span style="font-style: italic;"&gt;Elective Affinities&lt;/span&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-7716965917763097822?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/7716965917763097822'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/7716965917763097822'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2010/02/feb-13-hogan-ireland-soto-roman_01.html' title='Feb 13: Hogan, Ireland, Soto Román'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-7695810931523211374</id><published>2010-01-23T11:28:00.002-05:00</published><updated>2010-01-23T11:36:53.343-05:00</updated><title type='text'>Jan 30: McCarthy &amp; DuPlessis</title><content type='html'>&lt;meta equiv="Content-Type" content="text/html; charset=utf-8"&gt;&lt;meta name="ProgId" content="Word.Document"&gt;&lt;meta name="Generator" content="Microsoft Word 12"&gt;&lt;meta name="Originator" content="Microsoft Word 12"&gt;&lt;link rel="File-List" href="file:///C:%5CUsers%5CEckes%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml"&gt;&lt;link rel="themeData" href="file:///C:%5CUsers%5CEckes%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx"&gt;&lt;link rel="colorSchemeMapping" href="file:///C:%5CUsers%5CEckes%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:trackmoves/&gt;   &lt;w:trackformatting/&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:donotpromoteqf/&gt;   &lt;w:lidthemeother&gt;EN-US&lt;/w:LidThemeOther&gt;   &lt;w:lidthemeasian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:lidthemecomplexscript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;    &lt;w:splitpgbreakandparamark/&gt;    &lt;w:dontvertaligncellwithsp/&gt;    &lt;w:dontbreakconstrainedforcedtables/&gt;    &lt;w:dontvertalignintxbx/&gt;    &lt;w:word11kerningpairs/&gt;    &lt;w:cachedcolbalance/&gt;   &lt;/w:Compatibility&gt;   &lt;w:browserlevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathpr&gt;    &lt;m:mathfont val="Cambria Math"&gt;    &lt;m:brkbin val="before"&gt;    &lt;m:brkbinsub val="&amp;#45;-"&gt;    &lt;m:smallfrac val="off"&gt;    &lt;m:dispdef/&gt;    &lt;m:lmargin val="0"&gt;    &lt;m:rmargin val="0"&gt;    &lt;m:defjc val="centerGroup"&gt;    &lt;m:wrapindent val="1440"&gt;    &lt;m:intlim val="subSup"&gt;    &lt;m:narylim val="undOvr"&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate="false" defunhidewhenused="true" defsemihidden="true" defqformat="false" defpriority="99" latentstylecount="267"&gt;   &lt;w:lsdexception locked="false" priority="0" semihidden="false" unhidewhenused="false" qformat="true" name="Normal"&gt;   &lt;w:lsdexception locked="false" priority="9" semihidden="false" unhidewhenused="false" qformat="true" name="heading 1"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 2"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 3"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 4"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 5"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 6"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 7"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 8"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 9"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 1"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 2"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 3"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 4"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 5"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 6"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 7"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 8"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 9"&gt;   &lt;w:lsdexception locked="false" priority="35" qformat="true" name="caption"&gt;   &lt;w:lsdexception locked="false" priority="10" semihidden="false" unhidewhenused="false" qformat="true" name="Title"&gt;   &lt;w:lsdexception locked="false" priority="0" name="Default Paragraph Font"&gt;   &lt;w:lsdexception locked="false" priority="11" semihidden="false" unhidewhenused="false" qformat="true" name="Subtitle"&gt;   &lt;w:lsdexception locked="false" priority="22" semihidden="false" unhidewhenused="false" qformat="true" name="Strong"&gt;   &lt;w:lsdexception locked="false" priority="20" semihidden="false" unhidewhenused="false" qformat="true" name="Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="59" semihidden="false" unhidewhenused="false" name="Table Grid"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Placeholder Text"&gt;   &lt;w:lsdexception locked="false" priority="1" semihidden="false" unhidewhenused="false" qformat="true" name="No Spacing"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Revision"&gt;   &lt;w:lsdexception locked="false" priority="34" semihidden="false" unhidewhenused="false" qformat="true" name="List Paragraph"&gt;   &lt;w:lsdexception locked="false" priority="29" semihidden="false" unhidewhenused="false" qformat="true" name="Quote"&gt;   &lt;w:lsdexception locked="false" priority="30" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Quote"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"&gt;   &lt;w:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"&gt;   &lt;w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"&gt;   &lt;w:lsdexception locked="false" priority="37" name="Bibliography"&gt;   &lt;w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;style&gt; &lt;!--  /* Font Definitions */  @font-face 	{font-family:"Cambria Math"; 	panose-1:2 4 5 3 5 4 6 3 2 4; 	mso-font-charset:0; 	mso-generic-font-family:roman; 	mso-font-pitch:variable; 	mso-font-signature:-1610611985 1107304683 0 0 415 0;} @font-face 	{font-family:Times; 	panose-1:2 2 6 3 5 4 5 2 3 4; 	mso-font-charset:0; 	mso-generic-font-family:roman; 	mso-font-pitch:variable; 	mso-font-signature:-536859905 -1073711039 9 0 511 0;}  /* Style Definitions */  p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-unhide:no; 	mso-style-qformat:yes; 	mso-style-parent:""; 	margin:0in; 	margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:12.0pt; 	mso-bidi-font-size:10.0pt; 	font-family:"Times","serif"; 	mso-fareast-font-family:Times; 	mso-bidi-font-family:"Times New Roman";} span.apple-style-span 	{mso-style-name:apple-style-span; 	mso-style-unhide:no;} span.yshortcuts 	{mso-style-name:yshortcuts; 	mso-style-unhide:no;} .MsoChpDefault 	{mso-style-type:export-only; 	mso-default-props:yes; 	font-size:10.0pt; 	mso-ansi-font-size:10.0pt; 	mso-bidi-font-size:10.0pt;} @page Section1 	{size:8.5in 11.0in; 	margin:1.0in 1.0in 1.0in 1.0in; 	mso-header-margin:.5in; 	mso-footer-margin:.5in; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --&gt; &lt;/style&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable 	{mso-style-name:"Table Normal"; 	mso-tstyle-rowband-size:0; 	mso-tstyle-colband-size:0; 	mso-style-noshow:yes; 	mso-style-priority:99; 	mso-style-qformat:yes; 	mso-style-parent:""; 	mso-padding-alt:0in 5.4pt 0in 5.4pt; 	mso-para-margin:0in; 	mso-para-margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:"Calibri","sans-serif"; 	mso-ascii-font-family:Calibri; 	mso-ascii-theme-font:minor-latin; 	mso-fareast-font-family:"Times New Roman"; 	mso-fareast-theme-font:minor-fareast; 	mso-hansi-font-family:Calibri; 	mso-hansi-theme-font:minor-latin; 	mso-bidi-font-family:"Times New Roman"; 	mso-bidi-theme-font:minor-bidi;} &lt;/style&gt; &lt;![endif]--&gt;&lt;span class="apple-style-span"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;&lt;span style="font-weight: bold;"&gt;Pattie McCarthy&lt;/span&gt; is the author of &lt;span style="font-style: italic;"&gt;Table Alphabetical of Hard Words&lt;/span&gt; (forthcoming), &lt;a href="http://www.apogeepress.com/books_verso.html"&gt;&lt;span style="font-style: italic;"&gt;Verso&lt;/span&gt;&lt;/a&gt;, and &lt;a href="http://www.apogeepress.com/books_bkhrs.html"&gt;&lt;span style="font-style: italic;"&gt;bk of (h)rs&lt;/span&gt;&lt;/a&gt;, all from Apogee Press. She received her M.A. in Creative Writing—Poetry from &lt;span style="cursor: pointer; -moz-background-clip: border; -moz-background-origin: padding; -moz-background-inline-policy: continuous; background-attachment: scroll;" id="lw_1264263967_0"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="yshortcuts"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;Temple University&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;. Her work has appeared recently in many journals, including &lt;span id="lw_1264263967_1"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-style: italic;" class="yshortcuts"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;Colorado&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;&lt;span style="font-style: italic;"&gt; Review, Dusie, EOAGH, Fanzine, ixnay reader, Lungfull!, The Poker, The Poetry Project Newsletter&lt;/span&gt;, and &lt;span style="font-style: italic;"&gt;The Tangent&lt;/span&gt;. She has taught literature and writing at &lt;span id="lw_1264263967_2"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="yshortcuts"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;Queens College&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;"&gt; of the &lt;span id="lw_1264263967_3"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="yshortcuts"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;City University of New York&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;, Loyola University Maryland, and &lt;span id="lw_1264263967_4"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="yshortcuts"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;Towson University&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;. She lives in &lt;span id="lw_1264263967_5"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="yshortcuts"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;Philadelphia&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;"&gt; and teaches at Temple University.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;meta equiv="Content-Type" content="text/html; charset=utf-8"&gt;&lt;meta name="ProgId" content="Word.Document"&gt;&lt;meta name="Generator" content="Microsoft Word 12"&gt;&lt;meta name="Originator" content="Microsoft Word 12"&gt;&lt;link rel="File-List" href="file:///C:%5CUsers%5CEckes%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml"&gt;&lt;link rel="themeData" href="file:///C:%5CUsers%5CEckes%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx"&gt;&lt;link rel="colorSchemeMapping" href="file:///C:%5CUsers%5CEckes%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:trackmoves/&gt;   &lt;w:trackformatting/&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:donotpromoteqf/&gt;   &lt;w:lidthemeother&gt;EN-US&lt;/w:LidThemeOther&gt;   &lt;w:lidthemeasian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:lidthemecomplexscript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;    &lt;w:splitpgbreakandparamark/&gt;    &lt;w:dontvertaligncellwithsp/&gt;    &lt;w:dontbreakconstrainedforcedtables/&gt;    &lt;w:dontvertalignintxbx/&gt;    &lt;w:word11kerningpairs/&gt;    &lt;w:cachedcolbalance/&gt;   &lt;/w:Compatibility&gt;   &lt;w:browserlevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathpr&gt;    &lt;m:mathfont val="Cambria Math"&gt;    &lt;m:brkbin val="before"&gt;    &lt;m:brkbinsub val="&amp;#45;-"&gt;    &lt;m:smallfrac val="off"&gt;    &lt;m:dispdef/&gt;    &lt;m:lmargin val="0"&gt;    &lt;m:rmargin val="0"&gt;    &lt;m:defjc val="centerGroup"&gt;    &lt;m:wrapindent val="1440"&gt;    &lt;m:intlim val="subSup"&gt;    &lt;m:narylim val="undOvr"&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate="false" defunhidewhenused="true" defsemihidden="true" defqformat="false" defpriority="99" latentstylecount="267"&gt;   &lt;w:lsdexception locked="false" priority="0" semihidden="false" unhidewhenused="false" qformat="true" name="Normal"&gt;   &lt;w:lsdexception locked="false" priority="9" semihidden="false" unhidewhenused="false" qformat="true" name="heading 1"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 2"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 3"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 4"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 5"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 6"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 7"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 8"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 9"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 1"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 2"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 3"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 4"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 5"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 6"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 7"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 8"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 9"&gt;   &lt;w:lsdexception locked="false" priority="35" qformat="true" name="caption"&gt;   &lt;w:lsdexception locked="false" priority="10" semihidden="false" unhidewhenused="false" qformat="true" name="Title"&gt;   &lt;w:lsdexception locked="false" priority="0" name="Default Paragraph Font"&gt;   &lt;w:lsdexception locked="false" priority="11" semihidden="false" unhidewhenused="false" qformat="true" name="Subtitle"&gt;   &lt;w:lsdexception locked="false" priority="22" semihidden="false" unhidewhenused="false" qformat="true" name="Strong"&gt;   &lt;w:lsdexception locked="false" priority="20" semihidden="false" unhidewhenused="false" qformat="true" name="Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="59" semihidden="false" unhidewhenused="false" name="Table Grid"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Placeholder Text"&gt;   &lt;w:lsdexception locked="false" priority="1" semihidden="false" unhidewhenused="false" qformat="true" name="No Spacing"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Revision"&gt;   &lt;w:lsdexception locked="false" priority="34" semihidden="false" unhidewhenused="false" qformat="true" name="List Paragraph"&gt;   &lt;w:lsdexception locked="false" priority="29" semihidden="false" unhidewhenused="false" qformat="true" name="Quote"&gt;   &lt;w:lsdexception locked="false" priority="30" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Quote"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"&gt;   &lt;w:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"&gt;   &lt;w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"&gt;   &lt;w:lsdexception locked="false" priority="37" name="Bibliography"&gt;   &lt;w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;style&gt; &lt;!--  /* Font Definitions */  @font-face 	{font-family:"Cambria Math"; 	panose-1:2 4 5 3 5 4 6 3 2 4; 	mso-font-charset:0; 	mso-generic-font-family:roman; 	mso-font-pitch:variable; 	mso-font-signature:-1610611985 1107304683 0 0 415 0;} @font-face 	{font-family:Times; 	panose-1:2 2 6 3 5 4 5 2 3 4; 	mso-font-charset:0; 	mso-generic-font-family:roman; 	mso-font-pitch:variable; 	mso-font-signature:-536859905 -1073711039 9 0 511 0;}  /* Style Definitions */  p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-unhide:no; 	mso-style-qformat:yes; 	mso-style-parent:""; 	margin:0in; 	margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:12.0pt; 	mso-bidi-font-size:10.0pt; 	font-family:"Times","serif"; 	mso-fareast-font-family:Times; 	mso-bidi-font-family:"Times New Roman";} .MsoChpDefault 	{mso-style-type:export-only; 	mso-default-props:yes; 	font-size:10.0pt; 	mso-ansi-font-size:10.0pt; 	mso-bidi-font-size:10.0pt;} @page Section1 	{size:8.5in 11.0in; 	margin:1.0in 1.0in 1.0in 1.0in; 	mso-header-margin:.5in; 	mso-footer-margin:.5in; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --&gt; &lt;/style&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable 	{mso-style-name:"Table Normal"; 	mso-tstyle-rowband-size:0; 	mso-tstyle-colband-size:0; 	mso-style-noshow:yes; 	mso-style-priority:99; 	mso-style-qformat:yes; 	mso-style-parent:""; 	mso-padding-alt:0in 5.4pt 0in 5.4pt; 	mso-para-margin:0in; 	mso-para-margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:"Calibri","sans-serif"; 	mso-ascii-font-family:Calibri; 	mso-ascii-theme-font:minor-latin; 	mso-fareast-font-family:"Times New Roman"; 	mso-fareast-theme-font:minor-fareast; 	mso-hansi-font-family:Calibri; 	mso-hansi-theme-font:minor-latin; 	mso-bidi-font-family:"Times New Roman"; 	mso-bidi-theme-font:minor-bidi;} &lt;/style&gt; &lt;![endif]--&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Times&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;&lt;span style="font-weight: bold;"&gt;Rachel Blau DuPlessis&lt;/span&gt; is the author of &lt;i style=""&gt;Drafts&lt;/i&gt;, begun in 1986, and collected most recently in &lt;i style=""&gt;Pitch: Drafts 77-95&lt;/i&gt; and &lt;i style=""&gt;The Collage Poems of Drafts&lt;/i&gt;, both forthcoming in 2010 from Salt Publishing. &lt;span style=""&gt; &lt;/span&gt;Other volumes include &lt;i style=""&gt;Torques: Drafts 58-76&lt;/i&gt;, &lt;i style=""&gt;Drafts 1-38, Toll&lt;/i&gt; and &lt;i style=""&gt;Drafts 39-57, Pledge, with Draft unnnumbered: Précis&lt;/i&gt;. &lt;span style=""&gt; &lt;/span&gt;She has written several books of criticism, including &lt;i style=""&gt;Blue Studios: Poetry and Its Cultural Work&lt;/i&gt; (2006), and the ground-breaking &lt;i style=""&gt;The Pink Guitar: Writing as Feminist Practice&lt;/i&gt; ([1990] 2006). &lt;/span&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Times&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;She teaches at Temple University. &lt;span style=""&gt; &lt;/span&gt;For links to DuPlessis’ work, &lt;a href="http://epc.buffalo.edu/authors/duplessis/"&gt;visit her EPC page&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-7695810931523211374?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/7695810931523211374'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/7695810931523211374'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2010/01/jan-30-mccarthy-duplessis.html' title='Jan 30: McCarthy &amp; DuPlessis'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-663625262623569385</id><published>2009-12-23T16:34:00.003-05:00</published><updated>2010-01-03T10:50:33.175-05:00</updated><title type='text'>Jan 16: Love Among the Ruins</title><content type='html'>&lt;div&gt; &lt;/div&gt; &lt;div&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;Daniel Lin&lt;/span&gt; has a chapbook,&lt;span style="font-style: italic;"&gt; TINDER&lt;/span&gt;, from Nightboat Books, and he's published poems in &lt;span style="font-style: italic;"&gt;&lt;a href="http://www.waccamawjournal.com/pages.html?x=193"&gt;Waccamaw&lt;/a&gt;, Unsplendid, Realpoetik, Agni, Chelsea&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Notre Dame Review&lt;/span&gt;. He edits &lt;a href="http://latr.tumblr.com/"&gt;Love Among the Ruins&lt;/a&gt;, which recently published books by Ernest Hilbert, Heather Green, and Laura Jaramillo.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Heather Green&lt;/span&gt;&lt;span style="font-size:130%;"&gt;’s poems have appeared in &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Barrow Street, Denver Quarterly, &lt;a href="http://thediagram.com/7_5/green.html"&gt;DIAGRAM&lt;/a&gt;, Octopus, Tarpaulin Sky&lt;/span&gt;&lt;span style="font-size:130%;"&gt;, and other journals. Her translations of Tristan Tzara recently appeared in &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;Open Letters Monthly&lt;/span&gt;&lt;span style="font-size:130%;"&gt;. Early in 2009, Dancing Girl Press published her chapbook, &lt;a href="http://www.dancinggirlpress.com/matcharray.html"&gt;&lt;span style="font-style: italic;"&gt;The Match Array&lt;/span&gt;&lt;/a&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;div&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Laura Jaramillo&lt;/span&gt;&lt;span style="font-size:130%;"&gt; is a poet from Queens. She is the author of &lt;a href="http://olywapress.blogspot.com/"&gt;&lt;span style="font-style: italic;"&gt;The Reactionary Poems&lt;/span&gt;&lt;/a&gt; (Olywa Press) and &lt;/span&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;The Civilian Nest&lt;/span&gt;&lt;span style="font-size:130%;"&gt; (Love Among the Ruins Press).&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-663625262623569385?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/663625262623569385'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/663625262623569385'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2009/12/jan-16-love-among-ruins.html' title='Jan 16: Love Among the Ruins'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-1263695501647543182</id><published>2009-12-04T12:39:00.006-05:00</published><updated>2009-12-07T14:02:08.827-05:00</updated><title type='text'>Dec 12: Bloch, Foster, Gallagher</title><content type='html'>&lt;span style="font-weight: bold;font-family:georgia;font-size:100%;"  &gt;Kristen Gallagher&lt;/span&gt;&lt;span style=";font-family:georgia;font-size:100%;"  &gt; is from Philadelphia and now lives in New York where she teaches at LaGuardia Community College. Her book &lt;/span&gt;&lt;span style="font-style: italic;font-family:georgia;font-size:100%;"  &gt;Reading a Map&lt;/span&gt;&lt;span style=";font-family:georgia;font-size:100%;"  &gt; will come out in Spring 2010.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:georgia;font-size:100%;"  &gt;Julia Bloch&lt;/span&gt;&lt;span style=";font-family:georgia;font-size:100%;"  &gt;'s poems have appeared recently in &lt;/span&gt;&lt;span style="font-style: italic;font-family:georgia;font-size:100%;"  &gt;Cue, The Sidebrow Anthology&lt;/span&gt;&lt;span style=";font-family:georgia;font-size:100%;"  &gt;, and &lt;/span&gt;&lt;span style="font-style: italic;font-family:georgia;font-size:100%;"  &gt;Cricket Online Review&lt;/span&gt;&lt;span style=";font-family:georgia;font-size:100%;"  &gt;; she has reviewed poetry recently for &lt;/span&gt;&lt;span style="font-style: italic;font-family:georgia;font-size:100%;"  &gt;How2, New Review of Literature&lt;/span&gt;&lt;span style=";font-family:georgia;font-size:100%;"  &gt;, and &lt;/span&gt;&lt;span style="font-style: italic;font-family:georgia;font-size:100%;"  &gt;Sentence&lt;/span&gt;&lt;span style=";font-family:georgia;font-size:100%;"  &gt;. Her chapbook &lt;/span&gt;&lt;span style="font-style: italic;font-family:georgia;font-size:100%;"  &gt;The Selfist&lt;/span&gt;&lt;span style=";font-family:georgia;font-size:100%;"  &gt; is forthcoming from Katalanché Press; the title poem of that manuscript was set to music and performed at the Kimmel Center by the Network for New Music (sung by a baritone).&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:georgia;font-size:100%;"  &gt;Tonya Foster&lt;/span&gt;&lt;span style=";font-family:georgia;font-size:100%;"  &gt; is the author of &lt;/span&gt;&lt;span style="font-style: italic;font-family:georgia;font-size:100%;"  &gt;A Swarm of Bees in High Court&lt;/span&gt;&lt;span style=";font-family:georgia;font-size:100%;"  &gt;, a Belladonna chapbook, and is currently completing &lt;/span&gt;&lt;span style="font-style: italic;font-family:georgia;font-size:100%;"  &gt;A Mathematics of Chaos&lt;/span&gt;&lt;span style=";font-family:georgia;font-size:100%;"  &gt;, a cross-genre, multi-media piece on New Orleans, and &lt;/span&gt;&lt;span style="font-style: italic;font-family:georgia;font-size:100%;"  &gt;Monkey Talk&lt;/span&gt;&lt;span style=";font-family:georgia;font-size:100%;"  &gt;, an inter-genre piece about race, paranoia, and surveillance, and &lt;/span&gt;&lt;span style="font-style: italic;font-family:georgia;font-size:100%;"  &gt;A History of the Bitch&lt;/span&gt;&lt;span style=";font-family:georgia;font-size:100%;"  &gt;, a collection of poems. A native of New Orleans, she resides and writes in Harlem.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-1263695501647543182?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/1263695501647543182'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/1263695501647543182'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2009/12/dec-12-bloch-foster-gallagher.html' title='Dec 12: Bloch, Foster, Gallagher'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-6918033262089797507</id><published>2009-11-12T14:26:00.007-05:00</published><updated>2009-11-12T14:44:42.610-05:00</updated><title type='text'>Nov 21: Betts, Meora, Siegell</title><content type='html'>&lt;span style="font-size:100%;"&gt;&lt;span style="border-collapse: collapse;font-family:georgia;font-size:14px;"  &gt;&lt;span style="font-weight: bold;"&gt;Tara Betts&lt;/span&gt; is the author of &lt;i&gt;Arc and Hue&lt;/i&gt;. She is a Cave Canem fellow.  Her work appears in numerous publications such as &lt;i&gt;Ninth Letter&lt;/i&gt;, &lt;i&gt;Callaloo&lt;/i&gt;, &lt;i&gt;Hanging Loose&lt;/i&gt;, and&lt;i&gt;Gathering Ground&lt;/i&gt;. She currently teaches at Rutgers University and leads community-based workshops. For more information, visit &lt;a href="http://www.tarabetts.net/"&gt;&lt;span style="text-decoration: underline;"&gt;her website&lt;/span&gt;&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;   &lt;div  style="font-family:georgia;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="border-collapse: collapse;font-size:13px;" &gt;&lt;table border="0" cellpadding="0" cellspacing="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td  style="margin: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; font-size-adjust: inherit; font-stretch: inherit;font-size:inherit;" valign="top"&gt; &lt;span style="font-weight: bold;"&gt;Adam Meora&lt;/span&gt; is the director of &lt;a href="http://poetic-arts.blogspot.com/"&gt;poetic arts performance project&lt;/a&gt;, a multi-venue, non profit that runs poetic events, including the only ongoing symposium series for poets in Philly.  He has been featured at the Tin Angel, The Rotunda, the Philadelphia Free Library and many other venues.  He has been a member of the poeticpolitical group Arsenic Pizza as well  the poetic performance group the Unfuckwittables.  He has been published but does not enjoy sitting still long enough to decipher which poems will be neatly packaged, even for his avant garde fantasy mags...so instead he has decided to let them collect in his email inbox.  If you want to see him after this reading...look on you tube...his ninth grade students made fun of him for a week about one of his readings.&lt;br /&gt;&lt;br /&gt;&lt;span style="border-collapse: collapse;font-size:13px;" &gt;&lt;span style="color: rgb(136, 136, 136);font-family:arial,helvetica,sans-serif;" &gt;&lt;span style="color: rgb(0, 0, 0);font-family:arial,helvetica,sans-serif;" &gt;&lt;b&gt;Paul Siegell&lt;/b&gt; is the author of 2009's &lt;b&gt;&lt;i&gt;jambandbootleg&lt;/i&gt;&lt;/b&gt; and 2008's &lt;b&gt;&lt;i&gt;Poemergency Room&lt;/i&gt;&lt;/b&gt;. &lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-family:arial,helvetica,sans-serif;" &gt;He is a copywriter at &lt;i&gt;The Philadelphia Inquirer&lt;/i&gt; &amp;amp; &lt;i&gt;Daily News&lt;/i&gt;, a staff editor at &lt;i&gt;Painted Bride Quarterly&lt;/i&gt;, and has contributed to &lt;i&gt;The American Poetry Review&lt;/i&gt;, &lt;i&gt;Coconut, Rattle&lt;/i&gt; and many other fine journals. &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:arial,helvetica,sans-serif;"&gt;For more information, visit &lt;a href="http://paulsiegell.blogspot.com/"&gt;Paul's website&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="border-collapse: collapse;font-size:13px;" &gt;&lt;span style="font-family:arial,helvetica,sans-serif;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-6918033262089797507?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/6918033262089797507'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/6918033262089797507'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2009/11/nov-21-betts-meora-siegell.html' title='Nov 21: Betts, Meora, Siegell'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-7375313224004597855</id><published>2009-10-29T16:39:00.004-04:00</published><updated>2009-11-02T19:25:33.844-05:00</updated><title type='text'>Nov 7: McCreary, Higdon, Fugate</title><content type='html'>&lt;span style="font-weight: bold;"&gt;Jenn McCreary&lt;/span&gt; is the author of &lt;a href="http://www.spdbooks.org/Producte/9780981980805/ab-ovo.aspx"&gt;&lt;span style="font-style: italic;"&gt;:ab ovo:&lt;/span&gt;&lt;/a&gt;, published by Dusie Press (2009). She is also the author of two chapbooks: &lt;span style="font-style: italic;"&gt;errata stigmata&lt;/span&gt; (Potes &amp;amp; Poets Press), and &lt;span style="font-style: italic;"&gt;four o'clock pocket chiming&lt;/span&gt; (Beautiful Swimmer Press); the e-chapbook &lt;a href="http://issuu.com/andrewlundwall/docs/jennmcreary_mapsandlegends?mode=embed&amp;amp;documentId=090127024812-5520b61de5954772abb8c4eee959418a&amp;amp;layout=grey"&gt;&lt;span style="font-style: italic;"&gt;:Maps &amp;amp; Legends:&lt;/span&gt;&lt;/a&gt; (Scantily Clad Press) and &lt;span style="font-style: italic;"&gt;a doctrine of signatures&lt;/span&gt; (Singing Horse Press). Her poetry has been published in magazines including &lt;span style="font-style: italic;"&gt;Combo, Lungfull!, Tool: A Magazine, POM2, So To Speak, &lt;a href="http://www.necessetics.com/jenn.html"&gt;Sous Rature&lt;/a&gt;, Tangent&lt;/span&gt;, &amp;amp; &lt;span style="font-style: italic;"&gt;How2&lt;/span&gt;. She lives with her family in Philadelphia where she co-edits &lt;a href="http://www.ixnaypress.com/"&gt;ixnay press&lt;/a&gt; with Chris McCreary, works for the Mural Arts Program, and serves on the board of the Philly Spells Writing Center.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Ethan Fugate&lt;/span&gt; lives, writes, and bikes in New York City with his partner Allison, Elvis, the daschund, Coltrane, the beagle, and Noodle, the alleycat. They all get along famously for the most part. His work has appeared most recently in &lt;span style="font-style: italic;"&gt;&lt;a href="http://www.brooklynrail.org/2005/02/poetry/ethan-fugate"&gt;The Brooklyn Rail&lt;/a&gt;, The Boog City Reader, Shampoo Poetry&lt;/span&gt;, and &lt;span style="font-style: italic;"&gt; &lt;a href="http://www.puppyflowers.com/8/ef.htm"&gt;Puppyflowers&lt;/a&gt;&lt;/span&gt;. He is co-editor of the journal &lt;a href="http://www.pompompress.com/"&gt;&lt;span style="font-style: italic;"&gt;Pom2&lt;/span&gt;&lt;/a&gt;, which has been in a state suspended animation for a couple of years now. Ethan has been obsessively documenting his cycling commute with photographs for the past year and is currently working on an ekphrastic translation of those photos.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Hailey Higdon&lt;/span&gt; is the author of &lt;a href="http://www.palinodeproject.blogspot.com/"&gt;&lt;span style="font-style: italic;"&gt;The Palinode Project&lt;/span&gt;&lt;/a&gt;.  She is originally from Nashville, Tennessee and has lived and worked in many places, including Boston, Madison WI, and parts of South Africa.  She now lives in Philadelphia, where she teaches pre-kindergarten.  Recently she started &lt;a href="http://www.whattous.blogspot.com/"&gt;what to us (press)&lt;/a&gt; and released the chapbook &lt;span style="font-style: italic;"&gt;The Third Word&lt;/span&gt;, by Lewis Freedman, in February 2009.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-7375313224004597855?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/7375313224004597855'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/7375313224004597855'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2009/10/jenn-mccreary-is-author-of-ab-ovo.html' title='Nov 7: McCreary, Higdon, Fugate'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-3632349832148954391</id><published>2009-10-11T14:14:00.006-04:00</published><updated>2009-10-17T18:37:23.081-04:00</updated><title type='text'>Oct 24: Osman, Gizzi, Watson</title><content type='html'>&lt;p align="justify"&gt; &lt;span style="font-weight: bold;font-family:Helvetica;font-size:100%;"  &gt;Jena Osman&lt;/span&gt;&lt;span style=";font-family:Helvetica;font-size:100%;"  &gt;'s books of poetry include &lt;i&gt;The Character&lt;/i&gt;, &lt;i&gt;An Essay in Asterisks&lt;/i&gt;, and the forthcoming &lt;i&gt;The Network&lt;/i&gt; (winner of the 2009 National Poetry Series). An excerpt from "&lt;a href="http://www.asu.edu/pipercwcenter/how2journal/vol_3_no_1/public_figures/index.html"&gt;Public Figures&lt;/a&gt;," her continuing project on statuary in Philadelphia, can be found in the online journal&lt;i&gt; HOW2&lt;/i&gt; (vol. 3, issue 1). She co-edits the &lt;i&gt;ChainLinks&lt;/i&gt; book series with Juliana Spahr and teaches in the Creative Writing program at Temple University.&lt;/span&gt;&lt;/p&gt; &lt;p align="justify"&gt;&lt;span style=";font-family:Helvetica;font-size:100%;"  &gt;&lt;span style="font-weight: bold;"&gt;Craig Watson&lt;/span&gt; &lt;/span&gt;&lt;span style=";font-family:Helvetica;font-size:100%;"  &gt;has been a theater manager, corporate executive, technical writer, volunteer fire fighter, strategic consultant and college instructor, among other vocations.  Currently, he serves as an associate artistic director for a professional theater in Rhode Island. His eleven books of poetry began with &lt;i&gt;Drawing A Blank&lt;/i&gt; (Singing Horse Press, 1980) and most recently include &lt;i&gt;True News&lt;/i&gt; (Instance, 2002) and &lt;a href="http://www.burningdeck.com/catalog/watson_secret.htm"&gt;&lt;i&gt;Secret Histories&lt;/i&gt;&lt;/a&gt; (Burning Deck, 2007). He lives on an island at the mouth of Narragansett Bay.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-weight: bold;font-family:Helvetica;font-size:100%;"  &gt;Michael Gizzi&lt;/span&gt;&lt;span style=";font-family:Helvetica;font-size:100%;"  &gt; studied poetry at Brown University, and worked as an arborist in Southern New England in the 1970’s. In the early 1980’s he migrated to the Berkshire Hills, where he began teaching. For the next twenty years he coordinated poetry readings and edited &lt;i&gt;lingo&lt;/i&gt; magazine and Hard Press, which published, among others, Bernadette Mayer and Jim Brodey. Back in Rhode Island, he continued publishing, with Craig Watson, the imprint Qua Books. His most recent collections are &lt;i&gt;My Terza Rima &lt;/i&gt;(The Figures, 2001) and &lt;a href="http://www.burningdeck.com/catalog/gizzi-depths.htm"&gt;&lt;i&gt;New Depths of Deadpan&lt;/i&gt;&lt;/a&gt; (Burning Deck, 2009).&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-3632349832148954391?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/3632349832148954391'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/3632349832148954391'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2009/10/oct-24-osman-gizzi-watson.html' title='Oct 24: Osman, Gizzi, Watson'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-4729442900408828569</id><published>2009-09-28T17:44:00.003-04:00</published><updated>2009-10-07T23:58:32.620-04:00</updated><title type='text'>Oct 10: Arrieu-King, Giffin, Hosea</title><content type='html'>&lt;p align="justify"&gt; &lt;span style="font-weight: bold;font-family:Helvetica;font-size:100%;"  &gt;Cynthia Arrieu-King&lt;/span&gt;&lt;span style=";font-family:Helvetica;font-size:100%;"  &gt; is an assistant professor of creative writing at Stockton College. Her chapbook &lt;i&gt;The Small Anything City&lt;/i&gt; won the Dream Horse Press National Chapbook Prize in 2006 and her poems are forthcoming this year in &lt;i&gt;Witness&lt;/i&gt;, &lt;i&gt;Boston Review&lt;/i&gt;, &lt;a href="http://www.foumagazine.net/3.html"&gt;&lt;i&gt;Fou Magazine&lt;/i&gt;&lt;/a&gt;, &lt;i&gt;Harp and Altar&lt;/i&gt;, and &lt;i&gt;Forklift, Ohio&lt;/i&gt;.&lt;/span&gt;&lt;/p&gt; &lt;p align="justify"&gt;&lt;span style=";font-family:Helvetica;font-size:100%;"  &gt;&lt;span style="font-weight: bold;"&gt;Lawrence Giffin&lt;/span&gt; &lt;/span&gt;&lt;span style=";font-family:Helvetica;font-size:100%;"  &gt;is the author of the chapbook &lt;a href="http://www.uglyducklingpresse.org/page-getthefuck.html"&gt;&lt;i&gt;Get the fuck back into that burning plane&lt;/i&gt;&lt;/a&gt;, from Ugly Duckling Presse, and a member of the loose publishing collective Lil' Norton, where he edits the Physical Poets Home Library.&lt;/span&gt;&lt;/p&gt; &lt;p align="justify"&gt;&lt;span style="font-weight: bold;font-family:Helvetica;font-size:100%;"  &gt;Chris Hosea&lt;/span&gt;&lt;span style=";font-family:Helvetica;font-size:100%;"  &gt;'s poems appear in &lt;span style="font-style: italic;"&gt;LIT, Swerve, VOLT, Denver Quarterly, Harvard Review, Iowa Review, &lt;a href="http://articlejournal.net/author/chris-hosea/"&gt;Article&lt;/a&gt;&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Literary Review&lt;/span&gt;. With Cecily Iddings, he is co-editor of &lt;i&gt;The Blue Letter&lt;/i&gt;, a free direct-mail poetry newsletter. He lives in Brooklyn.&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-4729442900408828569?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/4729442900408828569'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/4729442900408828569'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2009/09/oct-10-arrieu-king-giffin-hosea.html' title='Oct 10: Arrieu-King, Giffin, Hosea'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-2173080915801870453</id><published>2009-09-15T16:47:00.002-04:00</published><updated>2009-09-15T16:50:49.973-04:00</updated><title type='text'>Sept 26: Carr, Lowinger, Dolph</title><content type='html'>&lt;span style="font-family: Times; font-size: 16px;"&gt;&lt;p align="justify"&gt; &lt;span style="font-family:Helvetica;font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Angela Carr&lt;/span&gt; &lt;/span&gt;&lt;span style="font-family:Helvetica;font-size:85%;"&gt;is a poet and translator based in Montréal. She is the author of &lt;i&gt;The Rose Concordance&lt;/i&gt; (Bookthug 2009), &lt;i&gt;A Short Excerpt from the Complete History of the Beautiful Risk&lt;/i&gt; (Beautiful Outlaw Press 2009), &lt;span style="font-style: italic;"&gt;Ropewalk&lt;/span&gt; (2006), and contributed to Translating Translating Montréal.&lt;/span&gt;&lt;/p&gt; &lt;p align="justify"&gt;&lt;span style="font-family:Helvetica;font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Aaron Lowinger&lt;/span&gt; &lt;/span&gt;&lt;span style="font-family:Helvetica;font-size:85%;"&gt;grew up in a religious household in America, with family dinners and sports. As a young adult, a series of relationships and travels began to write its own poetry. As a member of House Press, a feeling of deep connection to anything and everything was wildly encouraged and spurred on by self-publication. He lives with his family in his hometown of Buffalo, NY where he co-curates a monthly poetry event and stalks the cracks along the Niagara River.&lt;/span&gt;&lt;/p&gt; &lt;p align="justify"&gt;&lt;span style="font-family:Helvetica;font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Steve Dolph&lt;/span&gt; &lt;/span&gt;&lt;span style="font-family:Helvetica;font-size:85%;"&gt;is a translator from the Spanish. His translation of Juan José Saer's &lt;span style="font-style: italic;"&gt;Glosa&lt;/span&gt; will be published in 2010 by Open Letter. He's currently at work on translations of work by the scatological/eschatological Argentine poet Osvaldo Lamborghini with his friend, poet Brandon Holmquest.&lt;/span&gt;&lt;/p&gt; &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-2173080915801870453?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/2173080915801870453'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/2173080915801870453'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2009/09/sept-26-carr-lowinger-dolph.html' title='Sept 26: Carr, Lowinger, Dolph'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-22183189144342303</id><published>2009-08-31T17:30:00.004-04:00</published><updated>2009-09-04T21:06:44.139-04:00</updated><title type='text'>Sept 12: Heinowitz, Laynor, Davisson</title><content type='html'>&lt;strong&gt;Cole Heinowitz&lt;/strong&gt; is the author of two books of poetry, &lt;em&gt;Daily Chimera&lt;/em&gt; (Incommunicado Press, 1995) and &lt;em&gt;The Rubicon&lt;/em&gt; (The Rest Press, 2008), and the chapbook, &lt;em&gt;Stunning in Muscle Hospital&lt;/em&gt; (Detour Press, 2002). Her poems have appeared in journals including &lt;em&gt;&lt;a href="http://fence.fenceportal.org/v10n1/heinowitz.php"&gt;Fence&lt;/a&gt;, The Poker, &lt;a href="http://www.brooklynrail.org/2006/2/poetry/cole-heinowitz"&gt;The Brooklyn Rail&lt;/a&gt;, &lt;a href="http://www.asu.edu/pipercwcenter/how2journal/archive/online_archive/v1_4_2000/current/new-writing/heinowitz.html"&gt;HOW2&lt;/a&gt;, Canwehaveourballback, 6X6, Factorial!, Highway Robbery&lt;/em&gt;, and &lt;em&gt;Mirage 4 Period(ical)&lt;/em&gt;. Her book-length study, &lt;em&gt;Spanish America and British Romanticism, 1777-1826: Rewriting Conquest&lt;/em&gt; will appear from Edinburgh University Press in December 2009. Cole is Assistant Professor of Literature at Bard College.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ian Davisson&lt;/strong&gt; is a Masters student at Temple University. His work has appeared both online and in print in places like &lt;em&gt;Fence, &lt;a href="http://www.wordforword.info/vol14/Davisson.htm"&gt;word for/word&lt;/a&gt;, The Denver Quarterly&lt;/em&gt;, and &lt;a href="http://www.laminationcolony.com/davissondowney.html"&gt;&lt;em&gt;Lamination Colony&lt;/em&gt;&lt;/a&gt;. He lives in Rittenhouse with all the lawyers and investment bankers, and cleans up after their children at the Lombard Swim Club.&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Gregory Laynor&lt;/strong&gt; is an academic poet, currently at Temple University. His reading of Gertrude Stein's &lt;em&gt;The Making of Americans&lt;/em&gt; appears on &lt;a href="http://ubu.clc.wvu.edu/sound/stein-moa.html"&gt;UbuWeb&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-22183189144342303?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/22183189144342303'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/22183189144342303'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2009/08/sept-12-heinowitz-laynor-davisson.html' title='Sept 12: Heinowitz, Laynor, Davisson'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-880432614367499724</id><published>2009-08-19T17:32:00.004-04:00</published><updated>2009-08-19T17:43:01.283-04:00</updated><title type='text'>Aug 29: Lucy &amp; Olsen</title><content type='html'>&lt;span style="font-weight: bold;"&gt;Geoffrey Olsen&lt;/span&gt; is the author of &lt;span style="font-style: italic;"&gt;End Notebook&lt;/span&gt; (&lt;a href="http://www.petrichord.com/titles.php"&gt;Petrichord Books&lt;/a&gt;). He lives in Greenpoint, Brooklyn and works at the Cooper Union.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Patrick Lucy&lt;/span&gt; is a member of the &lt;a href="http://www.newphiladelphiapoets.com/"&gt;New Philadelphia Poets&lt;/a&gt;, a group committed to advancing poetry, space and community in Philadelphia. His work has appeared recently in the &lt;span style="font-style: italic;"&gt;Corduroy Mtn&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Ink Node&lt;/span&gt; (featured). His chapbook, &lt;span style="font-style: italic;"&gt;WILLIAM&lt;/span&gt;, is forthcoming from Con/Crescent Press. Patrick's disembodied press &amp;amp; blog, &lt;a href="http://www.catchconfetti.com/"&gt;_Catch/Confetti&lt;/a&gt;, produces poetry ephemera and comment. He lives in Fishtown and runs a web development company called &lt;a href="http://www.nimblelight.com/"&gt;Nimblelight&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-880432614367499724?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/880432614367499724'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/880432614367499724'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2009/08/aug-29-lucy-olsen.html' title='Aug 29: Lucy &amp; Olsen'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-5558392230666987219</id><published>2009-08-07T12:20:00.005-04:00</published><updated>2009-08-07T12:24:35.354-04:00</updated><title type='text'>The New Season</title><content type='html'>Chapter and Verse will kick up again on &lt;span style="font-weight: bold;"&gt;August 29th, 2009 at 8pm&lt;/span&gt;, and there will be a reading every other Saturday throughout the Fall. More details soon.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-5558392230666987219?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/5558392230666987219'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/5558392230666987219'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2009/08/new-season.html' title='The New Season'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-563730426722037899</id><published>2009-05-11T23:19:00.006-04:00</published><updated>2009-05-16T15:12:59.069-04:00</updated><title type='text'>May 23: Pettet &amp; Sherlock</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_SsrsV_t9N8o/SgjsytoEv8I/AAAAAAAAAGU/rY4-l5jkDsA/s1600-h/NPPposter_042909.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 305px; height: 400px;" src="http://1.bp.blogspot.com/_SsrsV_t9N8o/SgjsytoEv8I/AAAAAAAAAGU/rY4-l5jkDsA/s400/NPPposter_042909.jpg" alt="" id="BLOGGER_PHOTO_ID_5334774114605645762" border="0" /&gt;&lt;/a&gt;The season finale of Chapter &amp;amp; Verse will be part of a poetry double-header which begins at 5pm at Fergie's Pub with Brenda Iijima and Yedda Morrison, hosted by &lt;a href="http://www.newphiladelphiapoets.com/"&gt;New Philadelphia Poets&lt;/a&gt;. Then we'll go a few blocks down to the Chapterhouse to hear Frank Sherlock and Simon Pettet.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Frank Sherlock &lt;/strong&gt;is a native Philadelphian, author of &lt;em&gt;&lt;a href="http://www.spdbooks.org/Producte/9781600010552/over-here.aspx" target="_blank"&gt;Over Here&lt;/a&gt; &lt;/em&gt;and &lt;i&gt;Ready-To-Eat Individual&lt;/i&gt;, a collaboration written with Brett Evans about New Orleans in the Year 1 A.K. (After Katrina). You can listen to his work at &lt;a href="http://www.writing.upenn.edu/pennsound/x/Sherlock.html" target="_blank"&gt;PennSound&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: 'Trebuchet MS';"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;Simon Pettet&lt;/span&gt; is a poet from New York. &lt;a style="font-style: italic;" href="http://www.spdbooks.org/Producte/9781584980612/hearth.aspx"&gt;HEARTH&lt;/a&gt;, a book that collects three decades' worth of poetry, came out this year from Talisman House.  An essay about &lt;span style="font-style: italic;"&gt;HEARTH&lt;/span&gt; can be read &lt;a href="http://intercapillaryspace.blogspot.com/2009/04/simon-pettets-hearth.html"&gt;here&lt;/a&gt;. You can listen to an interview with Pettet &lt;span style="text-decoration: underline;"&gt;&lt;/span&gt;&lt;a href="http://media.sas.upenn.edu/pennsound/groups/XCP/XCP_181_Pettet-Stephens_1-25-09.mp3"&gt;here&lt;/a&gt; and read an interview in &lt;span style="font-style: italic;"&gt;Brooklyn Rail&lt;/span&gt; &lt;a href="http://brooklynrail.org/2009/04/poetry/simon-pettet"&gt;here&lt;/a&gt;.  Pettet is also the author of several collaborative volumes (including &lt;span style="font-style: italic;"&gt;Talking Pictures&lt;/span&gt;, and &lt;span style="font-style: italic;"&gt;Conversations About Everything&lt;/span&gt;, with Rudy Burckhardt), and is currently co-editing, with James Meetze, &lt;span style="font-style: italic;"&gt;Other Flowers: The UnCollected Poems of James Schuyler&lt;/span&gt;.&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.nimblelight.com/pat/npp/NPPposter_042909.jpg"&gt;&lt;br /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-563730426722037899?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/563730426722037899'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/563730426722037899'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2009/05/may-23-pettet-sherlock.html' title='May 23: Pettet &amp; Sherlock'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_SsrsV_t9N8o/SgjsytoEv8I/AAAAAAAAAGU/rY4-l5jkDsA/s72-c/NPPposter_042909.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-4774033770667442720</id><published>2009-05-02T01:23:00.003-04:00</published><updated>2009-05-02T01:48:47.897-04:00</updated><title type='text'>May 9: Baus, Klein, Saterstrom</title><content type='html'>&lt;span style="font-weight: bold;"&gt;Ish Klein&lt;/span&gt; is a self-taught film and puppet maker who also writes poems. She is an alumna of Columbia University and the Iowa Writer's Workshop for Poetry. In 2005, she was awarded the National Endowment of the Arts Digital Filmmaker Residency. Her poems have been published in &lt;span style="font-style: italic;"&gt;Bridge,The Canary, Gare du Nord&lt;/span&gt;, and more recently in &lt;span style="font-style: italic;"&gt;Hat magazine, X-connect, Big Bridge, Spork and Gut Cult&lt;/span&gt;. Her new book, &lt;a href="http://unionbook.blogspot.com/"&gt;&lt;span style="font-style: italic;"&gt;UNION!&lt;/span&gt;&lt;/a&gt;, is just out from Canarium Press.  Watch Ish Klein read her poem "&lt;a href="http://www.youtube.com/watch?v=wkiHLK03kAE&amp;amp;feature=related"&gt;I'm amazing, I'm a fireman&lt;/a&gt;."&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Selah Saterstrom&lt;/span&gt; is the author of &lt;a href="http://www.coffeehousepress.org/pinkinstitution.asp"&gt;&lt;span style="font-style: italic;"&gt;The Pink Institution&lt;/span&gt;&lt;/a&gt; and &lt;a href="http://www.coffeehousepress.org/themeatandspiritplanreviews.asp"&gt;&lt;span style="font-style: italic;"&gt;The Meat and Spirit Plan&lt;/span&gt;&lt;/a&gt;. A Mississippi native, she is currently on the faculty of The University of Denver's Creative Writing Program.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Eric Baus&lt;/span&gt; was born in &lt;span style="border-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer;" class="yshortcuts" id="lw_1241242258_3"&gt;Fort Wayne, Indiana&lt;/span&gt; in 1975. His publications include  &lt;a href="http://www.badgerinternet.com/%7Ebobkat/TunedDroves.html"&gt;&lt;span style="font-style: italic;"&gt;Tuned Droves&lt;/span&gt;&lt;/a&gt;&lt;span style="font-style: italic;"&gt; &lt;/span&gt;(Octopus Books, 2009), &lt;a href="http://www.wavepoetry.com/catalog/23-the-to-sound"&gt;&lt;span style="font-style: italic;"&gt;The To Sound&lt;/span&gt;&lt;/a&gt; (Verse Press, 2004; Winner of the 2002 Verse Press, selected by &lt;span style="border-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer;" class="yshortcuts" id="lw_1241242258_4"&gt;Forrest Gander&lt;/span&gt;), and the chapbooks &lt;span style="background: transparent none repeat scroll 0% 0%; cursor: pointer; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; font-style: italic;" class="yshortcuts" id="lw_1241242258_5"&gt;The Space Between&lt;/span&gt;&lt;span style="font-style: italic;"&gt; Magnets&lt;/span&gt; (Diaeresis), &lt;span style="font-style: italic;"&gt;A Swarm In The Aperture&lt;/span&gt; (Margin to Margin), and &lt;span style="background: transparent none repeat scroll 0% 0%; cursor: pointer; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; font-style: italic;" class="yshortcuts" id="lw_1241242258_6"&gt;Something Else&lt;/span&gt;&lt;span style="font-style: italic;"&gt; The Music Was&lt;/span&gt; (Braincase Press). He edits Minus House chapbooks, and currently lives in Denver. More information about Eric Baus can be found at &lt;a href="http://baustralia.wordpress.com/"&gt;To the Sound&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-4774033770667442720?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/4774033770667442720'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/4774033770667442720'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2009/05/may-9-baus-klein-saterstrom.html' title='May 9: Baus, Klein, Saterstrom'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-4501112644030224508</id><published>2009-04-16T16:01:00.004-04:00</published><updated>2009-04-16T16:25:52.214-04:00</updated><title type='text'>April 25: Lee, Fletcher, Goldblatt</title><content type='html'>&lt;span style="font-family: georgia;font-family:Palatino;font-size:100%;"  &gt;&lt;span style="font-weight: bold;"&gt;Eli Goldblatt&lt;/span&gt;’s poems have appeared  in journals such as &lt;i&gt;Cincinnati Review&lt;/i&gt;, &lt;i&gt;Another Chicago Magazine&lt;/i&gt;, &lt;i&gt; &lt;/i&gt;&lt;i&gt;Hambone&lt;/i&gt;, &lt;i&gt;Hubbub&lt;/i&gt;, &lt;i&gt;6ix&lt;/i&gt;,&lt;i&gt; &lt;/i&gt;and&lt;i&gt; 88&lt;/i&gt;. His book-length  volumes include &lt;i&gt;Herakles: A Verse Play&lt;/i&gt; (Tamarisk, 1981), &lt;i&gt;Sessions  1-62&lt;/i&gt; (Chax, 1991), &lt;i&gt;Speech Acts&lt;/i&gt; (Chax, 1999), and &lt;i&gt;Without  a Trace&lt;/i&gt; (Singing Horse, 2001).  In addition, Goldblatt has published  two children's books, &lt;i&gt;Leo Loves Round&lt;/i&gt; and &lt;i&gt;Lissa and the Moon's  Sheep&lt;/i&gt;.  He is currently  working on a literacy autobiography called &lt;i&gt;Writing Home&lt;/i&gt; as well  as a poetry manuscript entitled &lt;i&gt;A Slender Singer: Early and Recent  Poems&lt;/i&gt;.&lt;/span&gt;&lt;span style="font-family: georgia;font-family:georgia;font-size:100%;"  &gt; &lt;/span&gt;&lt;span style="font-family: georgia;font-family:Palatino;font-size:100%;"  &gt;Goldblatt has published books and  articles in composition/rhetoric as well; his new book is &lt;i&gt;Because  We Live Here: Sponsoring Literacy beyond the College Curriculum&lt;/i&gt;. He is a professor of English at Temple University.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold; font-family: georgia;font-size:100%;" &gt;Sueyeun Juliette Lee&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-family: georgia;"&gt; is a poet who lives in Philadelphia. She is the author of &lt;/span&gt;&lt;a style="font-family: georgia;" href="http://www.coconutpoetry.org/tgf1.html"&gt;&lt;span style="font-style: italic;"&gt;that gorgeous feeling&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: georgia;"&gt; (Coconut, 2009) and &lt;/span&gt;&lt;/span&gt;&lt;span style="font-style: italic; font-family: georgia;font-size:100%;" &gt;Mental Commitment Robots&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-family: georgia;"&gt; (Yo-Yo Labs, 2007).  She also runs Corollary Press. For links to some of her poems, click &lt;/span&gt;&lt;a style="font-family: georgia;" href="http://miraclesoundengine.blogspot.com/"&gt;here&lt;/a&gt;&lt;span style="font-family: georgia;"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold; font-family: georgia;font-size:100%;" &gt;sasha fletcher&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-family: georgia;"&gt; has a BFA in ceramics from Tyler School of Art. He lives in South Philadelphia. He guts and sells fish. In the fall he will be an MFA candidate in poetry at Columbia University up there in New York City. For links to his work, visit his blog, &lt;/span&gt;&lt;a style="font-family: georgia;" href="http://anicecoldcocacola.blogspot.com/"&gt;an ice cold coca cola&lt;/a&gt;&lt;span style="font-family: georgia;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-4501112644030224508?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/4501112644030224508'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/4501112644030224508'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2009/04/april-25-lee-fletcher-goldblatt.html' title='April 25: Lee, Fletcher, Goldblatt'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-8379700255985853419</id><published>2009-04-04T13:03:00.005-04:00</published><updated>2009-04-04T23:11:35.989-04:00</updated><title type='text'>April 11: Dinh, Mir, Yearous-Algozin</title><content type='html'>&lt;strong&gt;Joey Yearous-Algozin&lt;/strong&gt; lives in Philadelphia, where he is a graduate student in Poetry at Temple University. His work is forthcoming or has appeared in &lt;span style="font-style: italic;"&gt;For(a)ge&lt;/span&gt; and The Robert Walser Society of Western Massachussets. His current project, &lt;em&gt;TOWARDS DAYS&lt;/em&gt;, is accessible from his blog, &lt;a href="http://www.leantonotes.blogspot.com/"&gt;LEAN-TO&lt;/a&gt;.&lt;span style="text-decoration: underline;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Stan Mir&lt;/span&gt; is the author of the forthcoming chapbook &lt;span class="Apple-style-span" style="font-style: italic;"&gt;Flight Patterns&lt;/span&gt; (JR Van Sant) and the recipient of the 2008 Transcontinental Poetry Award from Pavement Saw Press for his manuscript &lt;span class="Apple-style-span" style="font-style: italic;"&gt;The Lacustrine Suite&lt;/span&gt;, which will be published in &lt;span style="border-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer;" class="yshortcuts" id="lw_1238864282_0"&gt;March 2010&lt;/span&gt;. His work can be read in &lt;span style="font-style: italic;"&gt;&lt;a href="http://www.fascicle.com/issue03/poems/mir1.htm"&gt;Fascicle&lt;/a&gt;, &lt;/span&gt;&lt;a href="http://www.ixnaypress.com/uploads/ixnay_reader_volume_three.pdf"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;a href="http://www.octopusmagazine.com/issue05/poets/Stan_Mir.htm"&gt;&lt;/a&gt;&lt;span style="font-style: italic;"&gt;&lt;a href="http://www.octopusmagazine.com/issue05/poets/Stan_Mir.htm"&gt;Octopus&lt;/a&gt;, &lt;a href="http://www.wordforword.info/vol12/Mir.htm"&gt;word for/word&lt;/a&gt;, &lt;/span&gt;&lt;a style="font-style: italic;" href="http://www.ixnaypress.com/uploads/ixnay_reader_volume_three.pdf"&gt;the ixnay reader&lt;/a&gt;, and elsewhere. He lives in the Germantown section of &lt;span class="yshortcuts" id="lw_1238864282_1"&gt;Philadelphia&lt;/span&gt; where he listens to people talk.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Linh Dinh&lt;/span&gt; is the author of two collections of stories, &lt;span style="font-style: italic;"&gt;Fake House&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Blood and Soap&lt;/span&gt;, four books of poems, &lt;span style="font-style: italic;"&gt;All Around What Empties Out&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;American Tatts&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Borderless Bodies&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Jam Alerts&lt;/span&gt;, and a novel, &lt;span style="font-style: italic;"&gt;Love Like Hate&lt;/span&gt;. He is also the editor of two anthologies of Vietnamese writers and poets.  He maintains a blog, &lt;a href="http://wwwwsonneteighteencom.blogspot.com/"&gt;Detainees&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-8379700255985853419?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/8379700255985853419'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/8379700255985853419'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2009/04/april-11-dinh-mir-yearous-algozin.html' title='April 11: Dinh, Mir, Yearous-Algozin'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-5750545681578763326</id><published>2009-03-18T23:16:00.004-04:00</published><updated>2009-03-20T16:18:06.937-04:00</updated><title type='text'>March 28: Gery, Sullivan, Taransky</title><content type='html'>&lt;p class="MsoNormal" style="margin: 0in 0in 0pt;"&gt;&lt;span style="font-weight: bold;"&gt;Michelle Taransky&lt;/span&gt;'s  first book, &lt;a href="http://beginningthe.wordpress.com/book/"&gt;&lt;span style="font-style: italic;"&gt;Barn Burned, Then&lt;/span&gt;&lt;/a&gt;, was selected by Marjorie Welish for the 2008 &lt;a href="http://www.omnidawn.com/"&gt;Omnidawn&lt;/a&gt; Poetry Prize and will be published in September 2009.  Taransky works at Kelly Writers House and, with Emily Pettit, coordinates the &lt;a href="http://wheneverwefeellikeit.blogspot.com/"&gt;Whenever We Feel Like It&lt;/a&gt; Reading Series.&lt;/p&gt;&lt;p class="MsoNormal" style="margin: 0in 0in 0pt;"&gt;&lt;span style=";font-family:times new roman;font-size:85%;"  &gt;&lt;b&gt;&lt;span style=";font-family:'Times New Roman';font-size:12;" target="_blank"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin: 0in 0in 0pt;"&gt;&lt;span style=";font-family:times new roman;font-size:85%;"  &gt;&lt;b&gt;&lt;span style=";font-family:'Times New Roman';font-size:12;" target="_blank"  &gt;John Gery&lt;/span&gt;&lt;/b&gt;&lt;span style=";font-family:'Times New Roman';font-size:12;" target="_blank"  &gt; is a poet and critic of modern and  contemporary poetry. H&lt;/span&gt;&lt;span style=";font-family:'Times New Roman';font-size:12;" target="_blank"  &gt;is books include &lt;i style=""&gt;Charlemagne: A Song of Gestures&lt;/i&gt;,&lt;i style=""&gt; The Enemies of Leisure&lt;/i&gt;, &lt;i style=""&gt;American Ghost: Selected Poems&lt;/i&gt; (English-Serbian, translated by Biljana Obradovic), &lt;i style=""&gt;Davenport’s Version&lt;/i&gt;, &lt;i style=""&gt;A Gallery of Ghosts, &lt;/i&gt;and &lt;/span&gt;&lt;/span&gt;&lt;span style=";font-family:times new roman;font-size:85%;"  &gt;&lt;span style=";font-family:'Times New Roman';font-size:12;" target="_blank"  &gt;&lt;i style=""&gt;Nuclear Annihilation and Contemporary American Poetry: Ways of Nothingness&lt;/i&gt;. &lt;/span&gt;&lt;/span&gt;&lt;span style=";font-family:times new roman;font-size:85%;"  &gt;&lt;span style="font-size:100%;"&gt;Hi&lt;span style=";font-family:'Times New Roman';font-size:12;" target="_blank"  &gt;s poetry, criticism, and reviews have appeared throughout the   &lt;st1:country-region st="on"&gt;U.S.&lt;/st1:country-region&gt; and Europe, including in &lt;i style=""&gt;Callaloo, &lt;span style="" target="_blank"&gt;&lt;/span&gt;&lt;st1:city st="on"&gt;&lt;span style="" target="_blank"&gt;New Orleans&lt;/span&gt;&lt;/st1:city&gt;&lt;span style="" target="_blank"&gt; Review&lt;/span&gt;, &lt;span style="" target="_blank"&gt;Paideuma, &lt;st1:place st="on"&gt;&lt;st1:city st="on"&gt;Paris&lt;/st1:city&gt;&lt;/st1:place&gt; Review, &lt;/span&gt;&lt;/i&gt;and&lt;i style=""&gt; &lt;span style="" target="_blank"&gt;West Branch&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="" target="_blank"&gt;. &lt;/span&gt;&lt;/span&gt;&lt;span style=";font-family:'Times New Roman';font-size:12;" target="_blank"  &gt;He has done&lt;span style="" target="_blank"&gt; collaborative translations of works from Serbian, Armenian, Chinese, and French, and his own work has been translated into Serbian, Italian, Chinese, Romanian, Bengali, and Farsi. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=";font-family:times new roman;font-size:85%;"  &gt;&lt;span style=";font-family:'Times New Roman';font-size:12;" target="_blank"  &gt;A Research Professor of English at the &lt;st1:placetype st="on"&gt;University&lt;/st1:placetype&gt; of &lt;st1:placename st="on"&gt;New Orleans&lt;/st1:placename&gt;,&lt;/span&gt;&lt;/span&gt;&lt;span style=";font-family:times new roman;font-size:85%;"  &gt;&lt;span style=";font-family:'Times New Roman';font-size:12;" target="_blank"  &gt; he also directs the &lt;st1:placename st="on"&gt;Ezra&lt;/st1:placename&gt; &lt;st1:placename st="on"&gt;Pound&lt;/st1:placename&gt; &lt;st1:placetype st="on"&gt;Center&lt;/st1:placetype&gt; for Literature, &lt;st1:place st="on"&gt; &lt;st1:city st="on"&gt;Brunnenburg&lt;/st1:city&gt;, &lt;st1:country-region st="on"&gt;Italy&lt;/st1:country-region&gt;&lt;/st1:place&gt;. He lives in &lt;st1:place st="on"&gt;&lt;st1:city st="on"&gt;New Orleans&lt;/st1:city&gt;&lt;/st1:place&gt; with his wife, poet Biljana Obradovic, and their son Petar.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin: 0in 0in 0pt;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin: 0in 0in 0pt;"&gt;&lt;meta equiv="Content-Type" content="text/html; charset=utf-8"&gt;&lt;meta name="ProgId" content="Word.Document"&gt;&lt;meta name="Generator" content="Microsoft Word 10"&gt;&lt;meta name="Originator" content="Microsoft Word 10"&gt;&lt;link rel="File-List" href="file:///C:%5CDOCUME%7E1%5CMR6A4A%7E1.ECK%5CLOCALS%7E1%5CTemp%5Cmsohtml1%5C01%5Cclip_filelist.xml"&gt;&lt;o:smarttagtype namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="PlaceName"&gt;&lt;/o:smarttagtype&gt;&lt;o:smarttagtype namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="PlaceType"&gt;&lt;/o:smarttagtype&gt;&lt;o:smarttagtype namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="State"&gt;&lt;/o:smarttagtype&gt;&lt;o:smarttagtype namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="City"&gt;&lt;/o:smarttagtype&gt;&lt;o:smarttagtype namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="place"&gt;&lt;/o:smarttagtype&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;   &lt;/w:Compatibility&gt;   &lt;w:browserlevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;  &lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if !mso]&gt;&lt;object classid="clsid:38481807-CA0E-42D2-BF39-B33AF135CC4D" id="ieooui"&gt;&lt;/object&gt; &lt;style&gt; st1\:*{behavior:url(#ieooui) } &lt;/style&gt; &lt;![endif]--&gt;&lt;style&gt; &lt;!--  /* Style Definitions */  p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-parent:""; 	margin:0in; 	margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:12.0pt; 	font-family:"Times New Roman"; 	mso-fareast-font-family:"Times New Roman";} @page Section1 	{size:8.5in 11.0in; 	margin:1.0in 1.25in 1.0in 1.25in; 	mso-header-margin:.5in; 	mso-footer-margin:.5in; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --&gt; &lt;/style&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable 	{mso-style-name:"Table Normal"; 	mso-tstyle-rowband-size:0; 	mso-tstyle-colband-size:0; 	mso-style-noshow:yes; 	mso-style-parent:""; 	mso-padding-alt:0in 5.4pt 0in 5.4pt; 	mso-para-margin:0in; 	mso-para-margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:10.0pt; 	font-family:"Times New Roman";} &lt;/style&gt; &lt;![endif]--&gt;&lt;span style=";font-family:&amp;quot;;font-size:12;"  &gt;&lt;span style="font-weight: bold;"&gt;Mecca Jamilah Sullivan&lt;/span&gt; is from &lt;/span&gt;&lt;st1:place&gt;&lt;st1:city&gt;&lt;span style=";font-family:&amp;quot;;font-size:12;"  &gt;Harlem&lt;/span&gt;&lt;/st1:city&gt;&lt;span style=";font-family:&amp;quot;;font-size:12;"  &gt;, &lt;/span&gt;&lt;st1:state&gt;&lt;span style=";font-family:&amp;quot;;font-size:12;"  &gt;New York&lt;/span&gt;&lt;/st1:state&gt;&lt;/st1:place&gt;&lt;span style=";font-family:&amp;quot;;font-size:12;"  &gt;. Her fiction has appeared and/or is forthcoming in the anthologies, &lt;i style=""&gt;Baby Remember My Name &lt;/i&gt;and &lt;i style=""&gt;X-24 Unclassified&lt;/i&gt;, as well as in the literary journals &lt;i style=""&gt;Crab Orchard Review,&lt;/i&gt; &lt;i style=""&gt;BLOOM&lt;/i&gt;, &lt;i style=""&gt;Philadelphia Stories online&lt;/i&gt;, &lt;i style=""&gt;Lumina&lt;/i&gt;, &lt;i style=""&gt;Amistad&lt;/i&gt;, &lt;i style=""&gt;Baobab South African Journal &lt;/i&gt;and others. She has received honors and awards from The Boston Fiction Festival, New World Theater, the NAACP, and other organizations. She received the 2008 Charles Johnson Student Fiction Award for her short story, “A Strange People,” and her full-length play, “Two Rings” was a finalist for the 2009 Downtown Urban Theatre Festival in &lt;/span&gt;&lt;st1:city&gt;&lt;st1:place&gt;&lt;span style=";font-family:&amp;quot;;font-size:12;"  &gt;New York City&lt;/span&gt;&lt;/st1:place&gt;&lt;/st1:city&gt;&lt;span style=";font-family:&amp;quot;;font-size:12;"  &gt;. She is currently working on a Ph.D. in English at the &lt;/span&gt;&lt;st1:place&gt;&lt;st1:placetype&gt;&lt;span style=";font-family:&amp;quot;;font-size:12;"  &gt;University&lt;/span&gt;&lt;/st1:placetype&gt;&lt;span style=";font-family:&amp;quot;;font-size:12;"  &gt; of &lt;/span&gt;&lt;st1:placename&gt;&lt;span style=";font-family:&amp;quot;;font-size:12;"  &gt;Pennsylvania&lt;/span&gt;&lt;/st1:placename&gt;&lt;/st1:place&gt;&lt;span style=";font-family:&amp;quot;;font-size:12;"  &gt;.&lt;/span&gt;&lt;br /&gt;&lt;span style=";font-family:times new roman;font-size:85%;"  &gt;&lt;span style=";font-family:'Times New Roman';font-size:12;" target="_blank"  &gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;div dir="ltr" target="_blank"&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-5750545681578763326?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/5750545681578763326'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/5750545681578763326'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2009/03/march-28-gerry-sullivan-taransky.html' title='March 28: Gery, Sullivan, Taransky'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-6091855134875338976</id><published>2009-03-05T12:31:00.008-05:00</published><updated>2009-03-08T22:32:34.946-04:00</updated><title type='text'>March 14: Featherston, Russell, Van Winckel</title><content type='html'>&lt;a href="http://danfeatherston.com/"&gt;&lt;span style="font-weight: bold;"&gt;Dan Featherston&lt;/span&gt;&lt;/a&gt; is a scholar of modern and contemporary American literature and a poet whose books include &lt;span style="font-style: italic;"&gt;The Clock Maker’s Memoir&lt;/span&gt; (Cuneiform Press, 2007), &lt;span style="font-style: italic;"&gt;United States&lt;/span&gt; (Factory School, 2005), &lt;span style="font-style: italic;"&gt;Into the Earth&lt;/span&gt; (Quarry Press, 2005) and &lt;span style="font-style: italic;"&gt;The Radiant World&lt;/span&gt; (BlazeVox), which will be published later this year. He is currently a visiting assistant professor in the First-Year Writing Program at Temple University. He lives in Philadelphia with Rachel McCrystal and their dog Fredo. You can read some of Dan Featherston's work in &lt;a href="http://www.milkmag.org/featherston.htm"&gt;&lt;span style="font-style: italic;"&gt;Milk Magazine&lt;/span&gt;&lt;/a&gt; and on his &lt;a href="http://danfeatherston.blogspot.com/"&gt;blog&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://jacobrussellsbarkingdog.blogspot.com/"&gt;&lt;span style="font-weight: bold;"&gt;Jacob Russell&lt;/span&gt;&lt;/a&gt; lives in South Philly. He loves dogs, playing chess &amp;amp; barroom pool. He wrote his first poem in second grade and spent the next 40 years thinking about it--it was a traumatic experience. At age 48, he quit procrastinating and got to work. He has written 47 volumes, 5,675 pages of journal entries; published short stories and poetry in various lit mags while collecting 1,594 rejection slips; took 8 years to write his first novel; second one is still W.I.P. He keeps a lit blog, &lt;a href="http://jacobrussellsbarkingdog.blogspot.com/"&gt;Jacob Russell's Barking Dog&lt;/a&gt;, and has not given up hope that someone will publish his novels before he dies.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.nancevanwinckel.com/"&gt;&lt;span style="font-weight: bold;"&gt;Nance Van Winckel&lt;/span&gt;&lt;/a&gt;'s fifth collection of poems, &lt;span style="font-style: italic;"&gt;No Starling&lt;/span&gt;, is recently out from U. of Washington Press. She is the recipient of two NEA Poetry Fellowships and awards from the Poetry Society of America, &lt;span style="font-style: italic;"&gt;Poetry&lt;/span&gt;, and &lt;span style="font-style: italic;"&gt;Prairie Schooner&lt;/span&gt;. New poems appear in &lt;span style="font-style: italic;"&gt;The Kenyon Review, The Southern Review, Poetry Northwest, Crazyhorse, Field&lt;/span&gt;, and &lt;span style="font-style: italic;"&gt;Gettysburg Review&lt;/span&gt;. She is also the author of three collections of short fiction, most recently &lt;span style="font-style: italic;"&gt;Curtain Creek Farm&lt;/span&gt; from Persea Books/Norton. She teaches in the MFA Programs at Eastern Washington University and Vermont College and is currently the Stadler Poet in Residence at Bucknell.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-6091855134875338976?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/6091855134875338976'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/6091855134875338976'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2009/03/march-14-featherston-russell-van.html' title='March 14: Featherston, Russell, Van Winckel'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-3352325897844885557</id><published>2009-02-18T19:06:00.005-05:00</published><updated>2009-02-18T19:22:33.566-05:00</updated><title type='text'>Feb 28: Klassnik, Hess, Conrad</title><content type='html'>&lt;a href="http://rauanklassnik.blogspot.com/"&gt;&lt;span style="font-weight: bold;"&gt;Rauan Klassnik&lt;/span&gt;&lt;/a&gt;'s first book, &lt;a href="http://www.blackocean.org/holy-land/"&gt;&lt;span style="font-style: italic;"&gt;Holy Land&lt;/span&gt;&lt;/a&gt;, was published in 2008 by Black Ocean. His poems have appeared (or are forthcoming) in &lt;span style="font-style: italic;"&gt;The Mississippi Review, The North American Review, Sleepingfish, MiPoesias, No Tell Motel, Sentence, Forklift&lt;/span&gt;, and elsewhere. He blogs regularly (if not intelligently) at &lt;a href="http://rauanklassnik.blogspot.com/" target="_blank"&gt;rauanklassnik.blogspot.com&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a style="font-weight: bold;" href="http://mickeyhess.blogspot.com/"&gt;&lt;span&gt;Mickey Hess&lt;/span&gt;&lt;/a&gt; is the author of &lt;span style="font-style: italic;"&gt;Big Wheel at the Cracker Factory&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Is Hip Hop Dead?&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Icons of Hip Hop&lt;/span&gt;. He is an English professor at Rider University.&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;a href="http://caconrad.blogspot.com/"&gt;&lt;span style="font-weight: bold;"&gt;CAConrad&lt;/span&gt;&lt;/a&gt;&lt;a name="CAConrad"&gt;&lt;/a&gt;  &lt;span class="verdana_ten"&gt;is the son of white trash asphyxiation whose childhood included selling cut flowers along the highway for his mother and helping her shoplift.  He escaped to Philadelphia where he lives and writes with the PhillySound poets. He is the author of &lt;em&gt;Deviant Propulsion&lt;/em&gt; (Soft Skull Press, 2006), &lt;em&gt;(Soma)tic Midge&lt;/em&gt; (FAUX Press, 2008), &lt;a href="http://www.chax.org/poets/conrad.htm"&gt;&lt;em&gt;The Book of Frank&lt;/em&gt;&lt;/a&gt; (Chax Press, 2008), &lt;em&gt;advanced ELVIS course&lt;/em&gt; (Soft Skull Press, 2009), and a collaboration with poet Frank Sherlock titled &lt;em&gt;THE CITY REAL &amp;amp; IMAGINED: Philadelphia Poems &lt;/em&gt;(Factory School Press, 2009).&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-3352325897844885557?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/3352325897844885557'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/3352325897844885557'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2009/02/feb-28-klassnik-hess-conrad.html' title='Feb 28: Klassnik, Hess, Conrad'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-9030628012509900708</id><published>2009-02-05T12:35:00.003-05:00</published><updated>2009-02-05T12:52:48.437-05:00</updated><title type='text'>Feb 14: Release of Calque #5</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;span style="font-style: italic;"&gt;Come listen to readings by Jennifer Hayashida, Sandra Newman, and Brandon Holmquest as we&lt;/span&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;celebrate the release of the final issue of &lt;/span&gt;&lt;a href="http://calquezine.blogspot.com/"&gt;&lt;span style="font-weight: bold;"&gt;Calque&lt;/span&gt;&lt;/a&gt;&lt;span style="font-style: italic;"&gt;, a journal of literature in translation. &lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;Jennifer Hayashida&lt;/span&gt; is a poet and translator. She was born in &lt;span class="yshortcuts" id="lw_1233855389_0"&gt;Oakland, California&lt;/span&gt;, and grew up in the suburbs of Stockholm and &lt;span style="background: transparent none repeat scroll 0% 0%; cursor: pointer; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" class="yshortcuts" id="lw_1233855389_1"&gt;San Francisco&lt;/span&gt;. She has translated Fredrik Nyberg's &lt;i&gt;A Different Practice&lt;/i&gt;&lt;span style="font-style: normal;"&gt; (&lt;span style="border-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer;" class="yshortcuts" id="lw_1233855389_2"&gt;Ugly Duckling Presse&lt;/span&gt;, 2007) and Eva Sjödin's &lt;/span&gt;&lt;i&gt;Inner China&lt;/i&gt;&lt;span style="font-style: normal;"&gt; (Litmus Press, 2005). She is Director of the &lt;span style="border-bottom: 1px dashed rgb(0, 102, 204); background: transparent none repeat scroll 0% 0%; cursor: pointer; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" class="yshortcuts" id="lw_1233855389_6"&gt;Asian American Studies&lt;/span&gt; Program at &lt;span class="yshortcuts" id="lw_1233855389_7"&gt;Hunter College&lt;/span&gt; in New York. This year, she is a Writer-in-Residence through the &lt;span style="background: transparent none repeat scroll 0% 0%; cursor: pointer; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" class="yshortcuts" id="lw_1233855389_8"&gt;Lower Manhattan Cultural Council&lt;/span&gt; Workspace Program, where she is working on an experimental prose piece centering on the &lt;span style="background: transparent none repeat scroll 0% 0%; cursor: pointer; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" class="yshortcuts" id="lw_1233855389_9"&gt;Immigration and Nationality Act of 1965&lt;/span&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;div style="margin: 0px;"&gt;&lt;b&gt;Sandra Newman&lt;/b&gt; is the author of the novels &lt;i&gt;The Only Good Thing Anyone Has Ever  Done&lt;/i&gt; and &lt;i&gt;Cake&lt;/i&gt;. Her memoir, &lt;i&gt;Folk Tales of the Rich&lt;/i&gt;, is due to be published by Random House in 2010.&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;b&gt;Brandon Holmquest&lt;/b&gt; is co-editor of &lt;a href="http://calquezine.blogspot.com/"&gt;&lt;i&gt;Calque&lt;/i&gt;&lt;/a&gt;. His &lt;span style="font-style: italic;"&gt;essays&lt;/span&gt; can be read online &lt;a href="http://www.essay-poems.blogspot.com/"&gt;in English&lt;/a&gt; and &lt;a href="http://poemas-ensayos.blogspot.com/"&gt;in Spanish&lt;/a&gt;. &lt;a href="http://www.essay-poems.blogspot.com/"&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-9030628012509900708?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/9030628012509900708'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/9030628012509900708'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2009/02/feb-14-release-of-calque-5.html' title='Feb 14: Release of Calque #5'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-1710649514876065037</id><published>2009-01-29T16:51:00.001-05:00</published><updated>2009-01-29T16:54:29.574-05:00</updated><title type='text'>Jan 31: Jones, Regan, Skaja</title><content type='html'>&lt;span style="font-weight: bold;"&gt;Quincy Scott Jones&lt;/span&gt; earned a Bachelor's degree from Brown University, a Master's degree from Temple University, and $100 once working as supermarket clown.  He is an Adjunct Professor at Arcadia University where this semester he is teaching writing, performance poetry, and something called "Politics &amp;amp; Poetics (or What Hip-Hop Was Suppose to Be)".   March 28th he will be (co)hosting this year's Light of Unity Festival, an afternoon of artistic expression celebrating cultural, political, and aesthetic diversity.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Emily Skaja&lt;/span&gt; is obsessed with shades of plum and surrealism. She dislikes artichokes.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Duncan Regan&lt;/span&gt; is from St. Augustine, Florida.  He can wear several pairs of pants at once, and there are poets who can attest to this. He spent time in Boone, North Carolina, where he got a degree from Appalachian State University. Now he lives in Philadelphia with a banana plant, but if he puts it in a bigger pot . . .&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-1710649514876065037?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/1710649514876065037'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/1710649514876065037'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2009/01/jan-31-jones-regan-skaja.html' title='Jan 31: Jones, Regan, Skaja'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-8027823914765392290</id><published>2008-12-06T12:31:00.003-05:00</published><updated>2008-12-06T12:40:50.518-05:00</updated><title type='text'>Dec 13: Miller, Jaramillo, Holmquest</title><content type='html'>&lt;span style="font-weight: bold;"&gt;Cathleen Miller&lt;/span&gt; is a poet and artist who lives and works in &lt;span class="yshortcuts" id="lw_1228584721_0"&gt;Philadelphia&lt;/span&gt;.  Her poems play with the ways that subjective experience is shaped by culture, nature, expectation and memory.  She is interested in the intersections and overlaps between past and present, subject and object, history and narrative.  She gains inspiration from her work as an archivist, her time spent in the garden watching seeds sprout into food, and  an ongoing conversation with the world. Some of her work can be read in &lt;a style="font-style: italic;" href="http://chax.org/eoagh/issue3/issuethree/miller.html"&gt;EOAGH&lt;/a&gt; and &lt;a style="font-style: italic;" href="http://thefanzine.com/articles/poetry/254/phillysound_poets/8"&gt;Fanzine&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Laura Jaramillo&lt;/span&gt; is a writer from Queens and for Queens, but has tremendous nostalgias for other places too. She is the author of &lt;span style="font-style: italic;"&gt;B&lt;/span&gt; (unpublished) and &lt;a href="http://olywapress.blogspot.com/"&gt;&lt;span style="font-style: italic;"&gt;The Reactionary&lt;/span&gt;&lt;span style="font-style: italic;"&gt; Poems&lt;/span&gt;&lt;/a&gt; (Olywa Press).&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Brandon Holmquest&lt;/span&gt;: Look, I can't keep writing these bio things in the third person like they were written by somebody else. My publicist or something. It's more than a little disingenuous. So, I write poems and stories and essays and make translations, as the mood takes me, and edit a journal called &lt;a href="http://calquezine.blogspot.com/"&gt;&lt;span style="font-style: italic;"&gt;Calque&lt;/span&gt;&lt;/a&gt; with my friend Steve. Some of my poems are up online at &lt;a rel="nofollow" target="_blank" href="http://www.essay-poems.blogspot.com/"&gt;&lt;span class="yshortcuts" id="lw_1228584815_0"&gt;www.essay-poems.blogspot.com&lt;/span&gt;&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-8027823914765392290?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/8027823914765392290'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/8027823914765392290'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2008/12/dec-13-miller-jaramillo-holmquest.html' title='Dec 13: Miller, Jaramillo, Holmquest'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-2489399104370260355</id><published>2008-11-17T12:55:00.003-05:00</published><updated>2008-11-18T18:32:10.803-05:00</updated><title type='text'>Nov 22: Jagannathan, Pollock, Buchanan</title><content type='html'>&lt;span style="font-weight: bold;"&gt;Oni Buchanan&lt;/span&gt; is a pianist and poet.  Her second book of poetry, &lt;i&gt;Spring&lt;/i&gt;, was published by the University of Illinois Press in September 2008, selected by Mark Doty as a winner of the 2007 National Poetry Series. Her first poetry book, &lt;i&gt;What Animal&lt;/i&gt;, was published in 2003 by the University of Georgia Press.  Ms. Buchanan currently maintains a private piano studio in Boston. For more about her music and poetry, including links to her work, visit &lt;a href="http://www.onibuchanan.com/"&gt;her website&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Michael Pollock&lt;/span&gt; is a fiction writer and fledgling novelist, who is the editor of &lt;a href="http://firstcityreview.com/"&gt;First City Review&lt;/a&gt;, a relatively new magazine out of Philadelphia.&lt;span style="line-height: 115%;font-size:10;" &gt;&lt;span style="line-height: 115%;font-size:10;" &gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Mytili Jagannathan&lt;/strong&gt; lives in Philadelphia, where she's been actively involved in the community arts work of the Asian Arts Initiative. She is the author of&lt;em&gt; Acts&lt;/em&gt;, a chapbook from Habenicht Press, and her poems have appeared in &lt;a href="http://chax.org/eoagh/issue3/issuethree/jagannathan.html"&gt;&lt;em&gt;EOAGH&lt;/em&gt;&lt;/a&gt;, &lt;em&gt;Rattapallax&lt;/em&gt;, &lt;em&gt;Combo&lt;/em&gt;, &lt;em&gt;Interlope&lt;/em&gt;, &lt;em&gt;Mirage#4/Period[ical]&lt;/em&gt;, &lt;em&gt;Xcp: Cross-Cultural Poetics&lt;/em&gt;, and &lt;a style="font-style: italic;" href="http://thefanzine.com/articles/poetry/254/phillysound_poets/11"&gt;Fanzine&lt;/a&gt;. She is the recipient of an Emerging Artist grant from the Leeway Foundation and a &lt;a href="http://www.pewarts.org/2002/jagannathan/"&gt;Pew Fellowship&lt;/a&gt; in the Arts.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-2489399104370260355?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/2489399104370260355'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/2489399104370260355'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2008/11/nov-22-jagannathan-pollock-buchanan.html' title='Nov 22: Jagannathan, Pollock, Buchanan'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-6993861571261127642</id><published>2008-10-31T15:26:00.006-04:00</published><updated>2008-11-01T17:48:09.535-04:00</updated><title type='text'>Nov 8: Short, Hoeffel, Bergmann</title><content type='html'>&lt;span style="font-weight: bold;"&gt;F.J. Bergmann&lt;/span&gt; writes poetry and speculative fiction, often simultaneously. She manifests as the shadowy entity behind fibitz.com and madpoetry.org. She is the 2008 winner of the Science Fiction Poetry Association Rhysling Award for the Short Poem as well as the 2006 Mary Shelley Imaginative Fiction Award, and has three published chapbooks: &lt;span style="font-style: italic;"&gt;Sauce Robert, Aqua Regia,&lt;/span&gt; and &lt;a href="http://www.planbpress.com/bergmannconstellation.html"&gt;&lt;span style="font-style: italic;"&gt;Constellation of the Dragonfly&lt;/span&gt;&lt;/a&gt;. Journals where her poetry appears include &lt;span style="font-style: italic;"&gt;Asimov's, Beloit Poetry Journal, Margie, Southern Poetry Review, Unpleasant Event Schedule,&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Weird Tales&lt;/span&gt;. One of her pseudopodia can reach all the way from the bedroom to the refrigerator. Her hairstyle is deceptive.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Mary Hoeffel&lt;/span&gt; is a fiction writer living and teaching in Philadelphia.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Kim Gek Lin Short&lt;/span&gt; is the daughter of a Scots-Irish geophysicist from the midwest and a Straits-Chinese tenpin champion from Singapore. Other unusual pairings appear in her chapbook &lt;em&gt;The Residents&lt;/em&gt; (&lt;a href="http://www.dancinggirlpress.com/" rel="nofollow"&gt;dancing&lt;/a&gt; girl press 2008), and in the recent or forthcoming pages of &lt;em&gt;&lt;a href="http://www.caketrain.org/" target="_blank" rel="nofollow"&gt;Caketrain Journal&lt;/a&gt;&lt;/em&gt;, &lt;em&gt;&lt;a href="http://www.drunkenboat.com/" target="_blank" rel="nofollow"&gt;Drunken Boat&lt;/a&gt;&lt;/em&gt;, &lt;em&gt;&lt;a href="http://42opus.com/" target="_blank" rel="nofollow"&gt;42opus&lt;/a&gt;, &lt;a href="http://www.notellmotel.org/" target="_blank" rel="nofollow"&gt;No Tell Motel&lt;/a&gt;, &lt;a href="http://www.fenceportal.org/" target="_blank" rel="nofollow"&gt;Fence&lt;/a&gt;&lt;/em&gt;, &lt;em&gt;&lt;a href="http://www.poolpoetry.com/" target="_blank" rel="nofollow"&gt;Pool&lt;/a&gt;&lt;/em&gt;, &lt;em&gt;&lt;a href="http://www.tarpaulinsky.com/" target="_blank" rel="nofollow"&gt;Tarpaulin Sky&lt;/a&gt;&lt;/em&gt;, and elsewhere. She was selected by Kate Northrop among the &lt;em&gt;Mad Poets Review’s&lt;/em&gt; 2007 prize winners. Together with Chris Collision she is one of three Roses at &lt;em&gt;&lt;a href="http://rowsselavy.blogspot.com/" target="_blank" rel="nofollow"&gt;The Autobiography of Rows Selavy&lt;/a&gt;&lt;/em&gt;. For links to her work&lt;em&gt;&lt;/em&gt;, visit &lt;a href="http://www.kimgeklinshort.com/"&gt;her website&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-6993861571261127642?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/6993861571261127642'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/6993861571261127642'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2008/10/nov-8-lin-short-hoeffel-bergmann.html' title='Nov 8: Short, Hoeffel, Bergmann'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-2778183204179957131</id><published>2008-10-14T12:58:00.006-04:00</published><updated>2008-10-25T00:18:15.379-04:00</updated><title type='text'>Oct 25: McCreary, Willenborg, Askenase</title><content type='html'>&lt;b  style="color: rgb(0, 0, 0);font-family:georgia;"&gt;&lt;span style="font-size:12;"&gt;Chris McCreary&lt;/span&gt;&lt;/b&gt;&lt;span style="color: rgb(0, 0, 0);font-family:georgia;font-size:12;"  &gt; is the author of two books of poems, &lt;em&gt;The Effacements&lt;/em&gt; and &lt;em&gt;Dismembers&lt;/em&gt;. Poems from a new manuscript, "Undone," can be found online at &lt;a href="http://www.eratiopostmodernpoetry.com/issue10_McCreary.html" target="_blank" rel="nofollow"&gt;Eratio&lt;/a&gt;, &lt;a href="http://www.turntablebluelight.com/2008/02/chris_mccreary.html" target="_blank" rel="nofollow"&gt;Turntable and Blue Light&lt;/a&gt;, and &lt;a href="http://www.scribd.com/doc/2602947/Chris-McCrearys-The-Black-Book" target="_blank" rel="nofollow"&gt;Scantily Clad Press&lt;/a&gt;. Along with Jenn McCreary, he is co-editor of &lt;a href="http://www.ixnaypress.com/" target="_blank" rel="nofollow"&gt;ixnay press&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Chad Willenborg&lt;/b&gt; teaches at the Art Institute of Philadelphia, where he is mentor to the creative writing club, which hopes to launch a literary journal, &lt;i&gt;Lorem Ipsum&lt;/i&gt;, this winter. Nominated for &lt;i&gt;Best American Short Stories &lt;/i&gt;and twice runner-up in &lt;i&gt;CityPaper&lt;/i&gt;’s annual writing contest, &lt;/span&gt;&lt;st1:country-region  style="color: rgb(0, 0, 0);font-family:georgia;"&gt;&lt;st1:place&gt;&lt;span style="font-size:12;"&gt;Chad&lt;/span&gt;&lt;/st1:place&gt;&lt;/st1:country-region&gt;&lt;span style=";font-family:georgia;font-size:12;"  &gt;&lt;span style="color: rgb(0, 0, 0);"&gt;’s work can be found in &lt;/span&gt;&lt;i style="color: rgb(0, 0, 0);"&gt;Fugue&lt;/i&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;, &lt;/span&gt;&lt;i style="color: rgb(0, 0, 0);"&gt;The Believer&lt;/i&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;, and &lt;/span&gt;&lt;i style="color: rgb(0, 0, 0);"&gt;McSweeney’s&lt;/i&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;. This year his fiction was featured in &lt;/span&gt;&lt;i style="color: rgb(0, 0, 0);"&gt;First City Review &lt;/i&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;and &lt;/span&gt;&lt;a style="color: rgb(255, 102, 0);" href="http://www.philadelphiastories.org/stories/willenborg_goon.php"&gt;&lt;i&gt;Philadelphia Stories&lt;/i&gt;&lt;/a&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;. He is currently working on a novel and a collection of "cover versions" of James Joyce’s &lt;/span&gt;&lt;i style="color: rgb(0, 0, 0);"&gt;Dubliners&lt;/i&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;meta content="text/html; charset=utf-8" equiv="Content-Type"&gt;&lt;meta content="Word.Document" name="ProgId"&gt;&lt;meta content="Microsoft Word 10" name="Generator"&gt;&lt;meta content="Microsoft Word 10" name="Originator"&gt;&lt;link style="font-family: georgia;" href="file:///C:%5CDOCUME%7E1%5CMR6A4A%7E1.ECK%5CLOCALS%7E1%5CTemp%5Cmsohtml1%5C01%5Cclip_filelist.xml" rel="File-List"&gt;&lt;style&gt; st1\:*{behavior:url(#ieooui) } &lt;/style&gt;&lt;span style=";font-family:georgia;font-size:12;color:black;"   &gt;&lt;span style="font-weight: bold;"&gt;Alicia Askenase&lt;/span&gt; is the author of the chapbooks &lt;i&gt;Cover&lt;/i&gt;, &lt;i&gt;Suspect, Shirley Shirley&lt;/i&gt;, and &lt;i&gt;The Luxury of Pathos. &lt;/i&gt;Her work has appeared in lit journals and anthologies that include &lt;i&gt;5_trope, sonaweb, texture, &lt;a href="http://www.temple.edu/chain/Facts/index.html"&gt;Chain&lt;/a&gt;,&lt;/i&gt; and &lt;i&gt;100 Days&lt;/i&gt;. She is at work on &lt;i&gt;The Cadillac Poems &lt;/i&gt;and a longer manuscript, &lt;i&gt;Perverse Incentives&lt;/i&gt;, which she also plans to perform as stand-up tragi-comedy. She was a founding co-editor of the journal &lt;i&gt;6ix &lt;/i&gt;and writes, designs and horticults in &lt;/span&gt;&lt;st1:place  style="font-family:georgia;"&gt;&lt;st1:city&gt;&lt;span style=";font-size:12;color:black;"  &gt;&lt;st1:place&gt;&lt;st1:city&gt;Motown&lt;/st1:city&gt;&lt;/st1:place&gt;&lt;/span&gt;&lt;/st1:city&gt;&lt;span style=";font-size:12;color:black;"  &gt;&lt;/span&gt;&lt;/st1:place&gt;&lt;span style="font-family:georgia;"&gt;, &lt;/span&gt;&lt;st1:state  style="font-family:georgia;"&gt;&lt;span style=";font-size:12;color:black;"  &gt;&lt;st1:state&gt;NJ&lt;/st1:state&gt;&lt;/span&gt;&lt;/st1:state&gt;&lt;span style=";font-family:georgia;font-size:12;color:black;"   &gt; and &lt;/span&gt;&lt;st1:city  style="font-family:georgia;"&gt;&lt;span style=";font-size:12;color:black;"  &gt;&lt;st1:place&gt;&lt;st1:city&gt;Philadelphia&lt;/st1:city&gt;&lt;/st1:place&gt;&lt;/span&gt;&lt;/st1:city&gt;&lt;span style=";font-family:georgia;font-size:12;color:black;"   &gt;, &lt;st1:state&gt;PA&lt;/st1:state&gt;&lt;/span&gt;..&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-2778183204179957131?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/2778183204179957131'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/2778183204179957131'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2008/10/oct-25-mccreary-willenborg-askenase.html' title='Oct 25: McCreary, Willenborg, Askenase'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-4311612449154975227</id><published>2008-09-30T13:39:00.006-04:00</published><updated>2008-10-31T15:38:53.531-04:00</updated><title type='text'>Oct 11: McDaniel, Rutkowski, Sirowitz</title><content type='html'>Come hear these three great writers perform their work Saturday, October 11th @ 8PM:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Jeffrey_McDaniel"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="font-family:georgia;"&gt;Jeffrey McDaniel&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; &lt;span style="font-family:georgia;"&gt;is the author of four books of poetry, most recently &lt;span style="font-style: italic;"&gt;The Endarkenment&lt;/span&gt; from the University of Pittsburgh Press. &lt;/span&gt;&lt;span style="font-family:georgia;"&gt;His previous three books are &lt;span style="font-style: italic;"&gt;The Splinter Factory&lt;/span&gt; (2002); &lt;span style="font-style: italic;"&gt;The Forgiveness Parade&lt;/span&gt; (1998); and &lt;span style="font-style: italic;"&gt;Alibi School&lt;/span&gt; (1995). Individual poems have appeared in &lt;span style="font-style: italic;"&gt;Best American Poetry&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Ploughshares&lt;/span&gt;, and other magazines and anthologies. He was born in Philadelphia and recently moved from Brooklyn to the Hudson Valley with his wife and daughter. Listen to some of his poetry &lt;a href="http://www.myspace.com/jeffreymcdaniel"&gt;here&lt;/a&gt;. Read his contributions to the Poetry Foundation's Harriet Blog &lt;a href="http://www.poetryfoundation.org/harriet/author_jeffreymcdaniel.html"&gt;here&lt;/a&gt;. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div  style="font-family:bookman old style,new york,times,serif;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span family="SANSSERIF" style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-family:georgia;"&gt;&lt;a href="http://www.thaddeusrutkowski.com/"&gt;&lt;span style="font-weight: bold;"&gt;Thaddeus Rutkowski&lt;/span&gt;&lt;/a&gt; grew up in central Pennsylvania and is a graduate of Cornell University and The John Hopkins University. His first novel, &lt;span style="font-style: italic;"&gt;Roughhouse&lt;/span&gt; (Kaya Press), was a finalist for an Asian American Literary Award. He has received four Pushcart Prize nominations. He teaches fiction writing at the Writer's Voice of the West Side YMCA in New York. He lives in Manhattan with his wife and daughter. To read some of his work, visit his &lt;a href="http://www.thaddeusrutkowski.com/"&gt;website&lt;/a&gt;.&lt;span style="text-decoration: underline;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Hal_Sirowitz"&gt;&lt;span style="font-weight: bold;"&gt;Hal Sirowitz&lt;/span&gt;&lt;/a&gt; is the former poet laureate of Queens, New York. His first book, &lt;span style="font-style: italic;"&gt;Mother Said&lt;/span&gt;, was translated into nine languages. He has been published in many journals, including &lt;span style="font-style: italic;"&gt;Provincetown Arts Journal&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Bellevue Review&lt;/span&gt;. Garrison Keillor has read Sirowitz's poem on his radio show, &lt;span style="font-style: italic;"&gt;The Writer's Almanac&lt;/span&gt;; and Sirowitz has been featured on &lt;span style="font-style: italic;"&gt;Fresh Air&lt;/span&gt; with Terry Gross. Check out his work &lt;a href="http://www.halsirowitz.com/"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-4311612449154975227?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/4311612449154975227'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/4311612449154975227'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2008/09/oct-11-mcdaniel-rutkowski-sirowitz.html' title='Oct 11: McDaniel, Rutkowski, Sirowitz'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-8453300437781252136</id><published>2008-09-26T17:46:00.002-04:00</published><updated>2008-09-26T17:53:56.426-04:00</updated><title type='text'>Sept 27: Some Young Poets</title><content type='html'>&lt;span style="font-size: 12pt;"&gt;&lt;b&gt;&lt;span style="font-weight: bold;"&gt;This Saturday, September 27th at 8pm&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: garamond,serif;font-size:130%;" &gt;&lt;span style="font-size: 12pt;"&gt;We've got cat ladies, paratroopers, flounder, and other fantastic delicacies!&lt;br /&gt;Which means &lt;i&gt;POETRY!&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Featuring these mysterious young folks:&lt;span style="border-bottom: 1px dashed rgb(0, 102, 204); background: transparent none repeat scroll 0% 0%; cursor: pointer; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" class="yshortcuts" id="lw_1222465556_3"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;b&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Drew Kalbach&lt;/b&gt; lives in &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="border-bottom: medium none; background: transparent none repeat scroll 0% 0%; cursor: pointer; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" class="yshortcuts" id="lw_1222465556_4"&gt;Philadelphia&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;. His work has appeared&lt;br /&gt; (or will appear) in &lt;i&gt;Elimae, Thieves Jargon, Robot Melon&lt;/i&gt; and&lt;br /&gt;elsewhere. His chapbook &lt;i&gt;The Zen of Chainsaws and Enormous Clippers&lt;/i&gt;&lt;br /&gt;is available from &lt;a rel="nofollow" target="_blank" href="http://dogzplot.com/"&gt;&lt;span class="yshortcuts" id="lw_1222465556_5"&gt;dogzplot.com&lt;/span&gt;&lt;/a&gt;'s achilles chapbook series.&lt;br /&gt;He blogs at &lt;a rel="nofollow" target="_blank" href="http://this-blog-is-a-piece-of-art.blogspot.com/"&gt;&lt;span class="yshortcuts" id="lw_1222465556_6"&gt;this-blog-is-a-piece-of-art.blogspot.com&lt;/span&gt;&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Quyen Nghiem&lt;/b&gt; was an Allied paratrooper in a past life. He&lt;br /&gt;wakes up every morning with a parachute and a broken leg.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Jaclyn (or Jackee with two e's) Sadicario&lt;/b&gt; is a poet originally from&lt;br /&gt;LAWNGUYLAND, NEW YAWK. She is a double major in&lt;br /&gt;&lt;span style="background-attachment: scroll;"&gt;&lt;span class="yshortcuts" id="lw_1222465556_7"&gt;Psychology&lt;/span&gt;&lt;/span&gt; and English at &lt;/span&gt;&lt;span style="border-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer;" class="yshortcuts" id="lw_1222465556_8"&gt;&lt;span style="font-size: 12pt;"&gt;Temple&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt; &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;University&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;. A short story&lt;br /&gt; of hers was recently published in &lt;i&gt;Hyphen&lt;/i&gt;, &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;Temple&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;'s Literary&lt;br /&gt; Magazine. She finds comfort in oceanic metaphors and can&lt;br /&gt;only aspire to be the greatest cat lady to come. Visit her&lt;br /&gt;blog, &lt;a href="http://jaclynsadicario.blogspot.com/"&gt;when I say what I mean&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Ryan Ruth &lt;/b&gt;is a writer living in &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;Philadelphia&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;.&lt;b&gt;&lt;br /&gt;&lt;br /&gt;Bryce Bayer&lt;/b&gt; lives in &lt;/span&gt;&lt;span style="background-attachment: scroll;"&gt;&lt;span style="font-size: 12pt;"&gt;Philadelphia&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt; and attends &lt;/span&gt;&lt;span style="background-attachment: scroll;"&gt;&lt;span style="font-size: 12pt;"&gt;Temple&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;br /&gt;  &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;University&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;. You can visit her writings at &lt;a rel="nofollow" target="_blank" href="http://brycebayer.blogspot.com/"&gt;&lt;span class="yshortcuts" id="lw_1222465556_9"&gt;brycebayer.blogspot.com&lt;/span&gt;&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Alina Ladyzhensky&lt;/b&gt; is currently floundering around as an&lt;br /&gt;&lt;span style="background-attachment: scroll;"&gt;&lt;span style="border-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer;" class="yshortcuts" id="lw_1222465556_10"&gt;English major&lt;/span&gt;&lt;/span&gt; at &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;Temple&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt; &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;University&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;. She aspires to continue&lt;br /&gt; her floundering at a &lt;span style="background-attachment: scroll;"&gt;&lt;span class="yshortcuts" id="lw_1222465556_11"&gt;graduate school&lt;/span&gt;&lt;/span&gt;, and eventually tricking&lt;br /&gt; enough people into thinking she's a poet. She enjoys&lt;br /&gt;bottom-shelf whiskey, working to restore her Russian accent,&lt;br /&gt;and giant jigsaw puzzles (especially of kittens).&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Lauren Faralli&lt;/b&gt; is a writer living in &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;Philadelphia&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;.&lt;br /&gt;&lt;br /&gt;Followed by an open mic!&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-8453300437781252136?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/8453300437781252136'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/8453300437781252136'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2008/09/sept-27-some-young-poets.html' title='Sept 27: Some Young Poets'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7066957950302287863.post-6570305184679538901</id><published>2008-09-26T16:22:00.012-04:00</published><updated>2009-08-22T15:49:37.798-04:00</updated><title type='text'>What It's All About</title><content type='html'>This reading series is organized and hosted by &lt;a href="http://bestnightmareyouget.com/"&gt;Stan Mir&lt;/a&gt; and &lt;a href="http://ryaneckes.blogspot.com/"&gt;Ryan Eckes&lt;/a&gt;, two poets who live and work in Philadelphia. Founded in 2006 by writer and translator Steve Dolph, who wanted an informal venue for local writers and small presses to share their work with each other, the Chapterhouse series quickly became a base for Philly writers to meet, listen, talk. Though the series has grown in popularity--we now attract (and invite) visitors from out of town--it does remain rooted in the the value of a local writing community. At every reading there are regulars and semi-regulars and a few strangers, and all are welcome. The local poets who read in the series tend to be regular audience members.&lt;br /&gt;&lt;br /&gt;While we want to provide writers a venue to share their work - and promote their books - we receive many more solicitations to read than there are spaces available to read in the series. We will try our best to accommodate writers who are on book tours (especially small-press-published), but we do believe that the reading itself is important, that it's not simply a formality to push the book.  Reading solicitations are welcome, but, as you might with a journal, check out the work of some of the people who have read here, and please include links to any recordings or sound files of previous readings. (It may take us several weeks to respond to a reading solicitation.)  And, of course, if you live in Philadelphia, come to some readings! There's no specific aesthetic to the series. However, since the organizers are both poets, there's definitely a lean towards poetry, poetry that's in dialogue with the writing that's being performed in the series all the time.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7066957950302287863-6570305184679538901?l=chapterhousereadings.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/6570305184679538901'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7066957950302287863/posts/default/6570305184679538901'/><link rel='alternate' type='text/html' href='http://chapterhousereadings.blogspot.com/2008/09/brief-history-explanation-of-chapter.html' title='What It&apos;s All About'/><author><name>Ryan Eckes</name><uri>http://www.blogger.com/profile/06387404565398914577</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry></feed>
